You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book is grounded in the belief that every nation had its own ‘Great War’, and that children’s picture books are an important barometer of each country’s national approach. To explore the depiction of the Great War in modern Australian, British, and French children’s picture books, where this historical event is reimagined in different ways as a futile conflict, as a painful victory, and as part of one country’s founding mythology, this book uses the concept of the hero’s journey as an underlying framework. It claims that this monomythic pattern, as developed by Joseph Campbell and modified by Christopher Vogler, not only informs all picture books selected for this project ...
In Semantics and Poetics of the Righteous and the Wicked in the Psalms, Kevin Foth delves into the nuanced roles of the righteous and the wicked and explores their significance beyond conventional moral prototypes. The study argues that the figures of the righteous and the wicked should be considered as part of the conventions of Hebrew psalmody. By leveraging insights from lexical semantics of the terms ??????? and ????? throughout the Hebrew Bible, the study broadens the understanding of these terms in their multifaceted uses within poetic contexts. The analysis further employs narratological theories about character and characterization to elucidate how the contrast between the righteous and wicked functions within 18 individual psalms. By focusing on the specific contexts within psalms and embracing poetic diversity, this study enriches the understanding of how these figures contribute to the literary features and theological messages woven throughout the Book of Psalms.
How do readers make sense of Hemingway’s short stories? How is it possible that the camera-like quality of his narrative can appeal to our senses and arouse our emotions? How does it capture us? With reserved narrators and protagonists engaged in laconic dialogs, his texts do not seem to say much. This book consciously revisits our responses to the Hemingway story, a belated response to his invitation to discover what lies beneath the surface of his iceberg. What this pioneering critical endeavor seeks to understand is the thinking required in reading Hemingway’s short fiction. It proposes a cognitively informed model of reading which questions the resources of the reader’s imaginative powers. The cognitive demonstrations here are designed to have potentially larger implications for the short story’s general mode of knowing. Drawing from both cognitively oriented poetics and narratology in equal measure, this book explains what structures our interaction with literary texts.
Fictional TV politics played a pivotal role in the popular imaginaries of the 2010s across cultures. Examining this curious phenomenon, Sebastian Naumann provides a wide-ranging analysis of the rapidly evolving landscape of contemporary polit-series. Proposing a novel structural model of serial television, he offers an innovative methodological framework for comparative textual analysis that integrates sociocultural, economic, sociotechnical, narratological, and aesthetic perspectives. This study furthermore explores how the changing affordances of (nonlinear) television impact serial storytelling and identifies key narrative trends and recurring themes in contemporary TV polit-fiction.
In the wake of the cognitive turn in the humanities, narrative research has become increasingly interdisciplinary. The theory of storyworld possible selves brings approaches from a range of disciplines such as cognitive narrative theory, cognitive linguistics, and social psychology, to bear on the study of narrative engagement. The diversity of the contributions to this volume testifies to the interdisciplinarity of the storyworld possible selves approach: while some of its chapters explore applications of storyworld possible selves theory to the study of real readers’ interaction with both fictional and non-fictional narratives, others address issues connected to the textual construction of authors, narrators, and characters as narrative perspectivizers.
Since the early days of cinema, filmmakers have been intrigued by the lives and loves of British monarchs. The most recent productions by ITV and Netflix show that the fascination with British royalty continues unabated both in Britain and around the world. This book examines strategies of representing power and the staging of myths of power in seven popular films about British monarchs that were made after the mid-1990s revival of the “royal biopic” genre. By combining approaches from cultural studies with concepts and theories from the humanities, such as film studies and art history, it offers a comprehensive understanding of the cinematic portraits of royalty. In addition, the volume...
None
None
None
None