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Ramesh Chandra Agarwal (English)
The building of the no. 1 newspaper empire in India was like an architect ground plan – Ramesh Chandra Agarwal laid the foundation edition by edition, city by city, state by state, going into the den of the mightiest and slaying them without fear. That quality of never cowering was an inheritance from his father. Ramesh Chandra blended it with an unparalleled taste for risk-taking and a thirst for venturing into the unknown, throwing this molotov cocktail at his rivals who stood mocking the new entrants before it hit them. In 35 short years, he turned a modest family-owned newspaper into the prime choice of readers In 12 states with 64 editions, and built an empire with a turnover of Rs 5, 000 crore. But Ramesh Chandra Agarwal’s biggest professional achievement was to revolutionise the Hindi newspaper. Replacing the pure, undistilled Hindi of the discerning litterateur with popular, colloquial words that made an easy connect, he gave the Hindi newspaper a hitherto unknown respect – to heave its chest and play the game like a champion. This is a champion’s story.
Indian Media Giants
Indian Media Giants is an analytical chronicle of six Indian mega media conglomerates' individual odyssey from their beginnings in the pre-independence era to their transformation into powerful business empires in the digitised modern India. The book traces media metamorphoses, contours of growth and development, travails and trajectories, organizational structures, editorial policies and business dynamics of print majors in India, namely, The Times Group, The Hindu Group, The Hindustan Times Limited, The Indian Express Group, Dainik Jagran Limited and DB Corp Limited.
National Union Catalog
Includes entries for maps and atlases.
AKASHVANI
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
Tree and Serpent: Early Buddhist Art in India
A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful...
The TOI Story
The Times Group transformed the mediascape in the 1980s and '90s. The TOI Story is about the Times of India Group, its journey during the early 1980s and '90s. During this decade, it reinvented itself from a staid, conservative, low-profit group running multiple publications and journals, to a market-focused, lean, innovative and profitable group, driven by only a handful of brands. While the driving initiatives sparked numerous controversies within and outside the group, eventually the Times Group helped redefine the media space in the country, expand readership, transform content and advertising. It persuaded publishers to see newspapers as a profitable business rather than a lever for political influence. At the centre of this transformation was Samir Jain, the youthful, maverick, visionary, reclusive owner of the group, blending spiritual values in his personal life with audacious commercial ambitions and courage and an uncanny sense of how the world around him was changing.
