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Provides an international forum where theatrical scholarship and practice can meet.
THE SUNDAY TIMES BESTSELLER 'Compelling and stunningly written' THE TIMES 'Wildly exciting . . . a classic' SPECTATOR 'Flawless . . . poetic . . . superbly portrayed' DAILY TELEGRAPH Three men. Three short, glittering lives. Young English painter Christopher Wood arrives in Paris in 1921 set on becoming the next great master. By day he studies; by night he attends parties with Picasso and Cocteau before paying too high a price for success. Richard Hilary, a confident if unprincipled Spitfire pilot, is suffering from terrible burns after being shot down. But the operations to restore him haven't deterred him from returning to action. And Jeremy Wolfenden, the cleverest of his set at All Souls College, leaves it all behind to report on the Cold War. But his louche private life makes him a plaything for the intelligent services, taking him on a fateful journey between East and West. The Fatal Englishman is a stunning tale of three short lives that burned brightly from a master storyteller.
Foucault and Family Relations: Governing from a Distance in Australia analyzes how notions of property ownership were instrumental in maintaining family stability and continuity in rural Australia, outlining how inheritance and divorce laws functioned to govern the internal relationships of families to assist the state to ‘rule from a distance’. Using a selection of Foucault’s ideas on the “family”, sexuality, race, space and economics this books shows how “property” operated as a disciplinary device, which was underpinned by “technical ideas”, such as surveying and cartography. This book uses legal judgments as a form of ethnography to show how property, as a socio-technical device, allowed a degree of local freedom for owners. This aspect of property allowed the state to stimulate ideas of local freedom to assist in “ruling from a distance,” demonstrating how the rural family as a domestic unit became a key field of intervention for the state as the family represented a bridge to larger relationships of power.