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How to Write Songs on Guitar
You want to write songs, and you want to write them on guitar. This updated twentieth-anniversary third edition of the bestselling songwriting handbook shows you how. Learn the techniques and tricks used in two thousand great songs by everyone from the Beatles, Bob Dylan, and David Bowie to Kings of Leon, U2, Amy Winehouse, and Ed Sheeran. Explore and understand the four main elements of a song—melody, harmony, rhythm, and lyrics—and learn how to use them in exciting new ways. Master song structure, intros, bridges, chord sequences, and key changes. Make the most of your guitar, with innovative chords, scales, modes, tunings, and recording techniques. Use the skills and insights of the g...
The Oxford Handbook of Victorian Poetry
'I am inclined to think that we want new forms . . . as well as thoughts', confessed Elizabeth Barrett to Robert Browning in 1845. The Oxford Handbook of Victorian Poetry provides a closely-read appreciation of the vibrancy and variety of Victorian poetic forms, and attends to poems as both shaped and shaping forces. The volume is divided into four main sections. The first section on 'Form' looks at a few central innovations and engagements--'Rhythm', 'Beat', 'Address', 'Rhyme', 'Diction', 'Syntax', and 'Story'. The second section, 'Literary Landscapes', examines the traditions and writers (from classical times to the present day) that influence and take their bearings from Victorian poets. ...
The Quest for Shakespeare
This book traces the formation and impact of the New Shakspere Society, created in 1873, which dedicated itself to solving the mysteries of Shakespeare’s authorship by way of science. This promise, however, was undermined not only by the antics of its director, Frederick J. Furnivall, but also by the inexactitudes of the tests. Jeffrey Kahan puzzles out how a society geared towards science quickly devolved into a series of grudge matches. Nonetheless, the New Shakspere Society set the bibliographical and biographical agenda for the next century—an unusual legacy for an organization that was rife with intrigue, enmity, and incompetence; lives were ruined, lawyers consulted, and scholarship (mostly bad) produced and published.
How to Write Melodies
Melody is the true heart of music—the identity of a composition, the vessel that carries the lyrics, the tune that you keep whistling on your way home from a concert. Composing melodies is often thought of as a mysterious process—a lightning bolt of inspiration delivered by the songwriter's muse—but in fact melody is an art that can be learned, honed, and perfected. This book teaches that art in an engaging and thoroughly accessible fashion. Starting from basics, it covers the essentials—rhythm, intervals, scales, and harmony—and builds on these simple principles to offer a wealth of advanced techniques and tricks. Every musical example in the book is accompanied by a downloadable audio track, allowing songwriters to increase their understanding of melody through both sight and sound. How to Write Melodies is the only guide you’ll ever need for demystifying and perfecting the art of melody writing.
A.C. Swinburne and the Singing Word
Focusing on Algernon Charles Swinburne's later writings, this collection makes a case for the seriousness and significance of the writer's mature work. While Swinburne's scandalous early poetry has received considerable critical attention, the thoughtful, rich, spiritually and politically informed poetry that began to emerge in his thirties has been generally neglected. This volume addresses the need for a fuller understanding of Swinburne's career that includes his fiction, aesthetic ideology, and analyses of Shakespeare and the great French writers. Among the key features of the collection is the contextualizing of Swinburne's work in new contexts such as Victorian mythography, continental...
Soft-Shed Kisses
The femme fatale appears with unceasing regularity in the texts of major poets of the nineteenth century. She symbolises an intractable mystery, a refusal to be defined and a fierce attempt to exist outside the established gender system. Soft-Shed Kisses: Re-visioning the Femme Fatale in English Poetry of the 19th Century interrogates the construction and use of the fatal woman motif in the poetry of canonical male writers of the times, both Romantic and Victorian. Subsequent chapters investigate a variety of poems by John Keats, Percy Bysshe Shelley, Alfred Tennyson, Dante Gabriel Rossetti and Charles Algernon Swinburne in which the femme fatale surfaces as the most important character. Close-readings of poetry are enriched by an examination of the same motif in visual art, set against the vivid cultural background of the Victorian era.
Lyrics
Lyrics sheds light on all aspects of lyric writing for music and will make songwriters feel more confident and creative when they tackle lyrics. It's perfect for all songwriters: those who don't like their own lyrics and find them difficult to write, experienced writers looking for a creative edge, and those offering lyrics to set to music in a partnership. Topics include channeling personal experiences into lyrics, overcoming writer's block, the right lyrics for a bridge, the separation between lyrics and poetry, exploring imagery and metaphor, avoiding clichés, and more. The book also offers tips on the various styles of lyrics, from protests, spirituals, and confessionals to narratives and comic songs.
A Complete Course
None
Melody
Melody is the true heart of music, often inspired by nothing more than the songwriter's muse. Yet melody can be learned. This book teaches the art of melody and how to write effective tunes. Starting from basics, it covers the essentials – rhythm, intervals, scales, and harmony – and builds to offer a wealth of advanced techniques and tricks. Every musical example in the book is also on the CD, allowing musicians to increase their awareness of melody through both sight and sound.
