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The Robert J. Wickenheiser Collection of John Milton at the University of South Carolina
This is a descriptive catalog of one of the world's largest collections of Milton and Miltoniana.Housed at USC's Thomas Cooper Library, the Wickenheiser Collection contains more than six thousand volumes, including more than sixty seventeenth-century editions of Milton's writings and significant holdings of seventeenth-century Miltoniana. The special focus on illustrated editions makes this perhaps the most comprehensive collection of Milton illustration in existence - from the first illustrated edition of ""Paradise Lost"" (1688) through all the major illustrators that follow, particularly John Martin (1789-1854) and Gustave Dore (1832-1883), and with original drawings by several of the art...
The Acrostic Paradise Lost
Acrostics in Milton’s poem have fascinated scholars, and I thought I might like to write another synopsized version of Paradise Lost in acrostic form that actually tells the story briefly. The idea was suggested by John Geraghty, a prominent collector of Milton books, art and ephemera. I am just beginning the project that I hope I can present it during National Poetry Month next year. I will also present two first edition illustrated books of William Blake, plus many other remarkable illustrated books. I do attempt things with Paradise Lost never done before. One was synopsizing it and then popularizing it in Heavy Metal Magazine. The synopsized book was on display in B. Dalton’s store w...
Blanks, Print, Space, and Void in English Renaissance Literature
Blanks, Print, Space, and Void in English Renaissance Literature is an inquiry into the empty spaces encountered not just on the pages of printed books in c.1500-1700, but in Renaissance culture more generally. The book argues that print culture in the sixteenth and seventeenth centuries helped to foster the modern idea of the 'gap' (where words, texts, images, and ideas are constructed as missing, lost, withheld, fragmented, or perhaps never devised in the first place). It re-imagines how early modern people reacted not just to printed books and documents of many different kinds, but also how the very idea of emptiness or absence began to be fashioned in a way which still surrounds us. Jona...
