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Underwater and Coastal Archaeology in Latin America
This volume features a range of theoretical and methodological approaches to underwater and coastal archaeology in Latin America, showcasing the efforts of 82 researchers working across the region.
The Mexican Filmography, 1916 through 2001
Mexican cinema has largely been overlooked by international film scholars because of a lack of English-language information and the fact that Spanish-language information was difficult to find and often out of date. This comprehensive filmography helps fill the need. Arranged by year of release and then by title, the filmography contains entries that include basic information (film and translated title, production company, genre, director, cast), a plot summary, and additional information about the film. Inclusion criteria: a film must be a Mexican production or co-production, feature length (one hour or more, silent films excepted), fictional (documentaries and compilation films are not included unless the topic relates to Mexican cinema; some docudramas and films with recreated or staged scenes are included), and theatrically released or intended for theatrical release.
The First Asians in the Americas
Diego Javier Luis tells the story of transpacific Asian movement to and through the Spanish Americas. On arrival in Mexico, diverse Asian peoples became “chinos” subject to the colonial caste system. Tracing Asian resistance and adaptation to New Spanish ideas of race, Luis presents a Pacific-focused narrative of the colonial Americas.
The Oxford Handbook of Maritime Archaeology
This title is a comprehensive survey of maritime archaeology as seen through the eyes of nearly fifty scholars at a time when maritime archaeology has established itself as a mature branch of archaeology.
Early Navigation in the Asia-Pacific Region
This book presents the proceedings of the international academic workshop on “Early Navigation in the Asia-Pacific Region: A Maritime Archaeological Perspective” held from June 21-23, 2013 at Harvard University campus and organized by Harvard-Yenching Institute. It includes high-quality papers focusing on the historical shipwrecks investigated by underwater archaeologists from Eastern Asian, including southern China, Vietnam, Thailand, the Philippines, Indonesia and Malaysia, and North America, including California, Oregon and Washington in the US, as well as Mexico. These investigations reveal the history of the early pan-Pacific navigation and maritime globalization from the 16th to th...
How to Make a New Spain
"As we enter the material worlds of Spanish colonizers, we should get to know a little bit about the colonizers themselves. In this chapter, I characterize the economic standing of colonizers, focusing on their wealth and the kinds of things on which they spent or invested their money. To address issues of wealth, it will be necessary to study the kinds of coin and other media of exchange that were in use in sixteenth-century Mexico City. The people compiling the probate inventories that form the basis of this study measured and recorded the value of each item in material terms: the amount of gold that would be necessary to purchase a person's belongings. They translated each decedent's net worth into coin in official documents, with the intent of communicating and sending the value of the decedent's belongings to his or her family in Spain. Calculating the value of a decedent's belongings as gold also helped the church and the Spanish crown collect some revenue from a person's estate, through donations to the church and taxes to the king"--
Stone Trees Transplanted? Central Mexican Stelae of the Epiclassic and Early Postclassic and the Question of Maya ‘Influence’
Stelae dating to the Epiclassic and Early Postclassic from Tula, Xochicalco, and other sites in Central Mexico have been cited as evidence of Classic Maya `influence' on Central Mexican art during these periods. This book re-evaluates these claims via detailed comparative analysis of the Central Mexican stelae and their claimed Maya counterparts.
Mexican Life
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The Murals of Cacaxtla
"Between AD 650 and 950, a small city-state in central Mexico produced dazzling murals of gods, historical figures, and supernatural creatures on the walls of its most important sacred and public spaces. This study explores how the Cacaxtla murals constitute a sustained and local painting tradition, in which generations of ancient Mexican artists, patrons, and audiences created a powerful statement of communal identity that still captures the imagination"--
