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The Western Han dynasty (202 BCE–9 CE) was a foundational period for the artistic culture of ancient China, a fact particularly visible in the era’s funerary art. Iconic forms of Chinese art such as dazzling suits of jade; cavernous, rock-cut mountain tombs; fancifully ornate wall paintings; and armies of miniature terracotta warriors were prepared for the tombs of the elite during this period. Many of the finest objects of the Western Han have been excavated from the tombs of kings, who administered local provinces on behalf of the emperors. Allison R. Miller paints a new picture of elite art production by revealing the contributions of the kings to Western Han artistic culture. She dem...
Applies the 'life history' of objects approach to China's prehistoric, early dynastic and more recent material culture.
This book examines the organization of specialized salt production at Zhongba, one of the most important prehistoric sites in the Three Gorges of China's Yangzi River valley. Rowan K. Flad demonstrates that salt production emerged in the second millennium BCE and developed into a large-scale, intense activity. As the intensity of this activity increased during the early Bronze Age, production became more coordinated, perhaps by an emergent elite who appear to have supported their position of authority by means of divination and the control of ritual knowledge. This study explores evidence of these changes in ceramics, the layout of space at the site, and animal remains. It synthesizes the data retrieved from years of excavation, showing not only the evolution of production methods, but also the emergence of social hierarchy in the Three Gorges region over two millennia.
This book explores pottery making and communities during the Bakun period (c. 5000 – 4000 BCE) in the Kur River Basin, Fars province, southwestern Iran, through the analysis of ceramic materials collected at Tall-e Jari A, Tall-e Gap, and Tall-e Bakun A & B.
Challenges contemporary understandings of 'globalization' by focusing on the role of non-state prehistoric societies and their vast realms of connectivity.
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This book explores material culture and human adaptations to nature over time, with a focus on ceramics. The author also explores the role of ethnoarchaeology and ethnohistory as key elements of a broad research strategy that seeks to understand human interaction with nature over time.
An investigative history of the closure of Harvard University’s geography program in the mid-twentieth century due to homophobia and wider institutional politics. Let Geography Die tells the little-known and oft-misunderstood story of geographical research and education at Harvard University. In investigative fashion, Alison Mountz and Kira Williams unearth the personal and institutional secrets that drove the sudden closure of Harvard's geography program at the precise moment that it reached its apex. At the heart of this narrative are the hidden personal lives of the queer men recruited to build the geography program—the same ones who were later blamed for its demise. Chief among these...
An Integrated Picture of Prehistory as an Active Process of Discovery World Prehistory and Archaeology: Pathways through Time, fourth edition, provides an integrated discussion of world prehistory and archaeological methods. This text emphasizes the relevance of how we know and what we know about our human prehistory. A cornerstone of World Prehistory and Archaeology is the discussion of prehistory as an active process of discovery. Methodological issues are addressed throughout the text to engage readers. Archaeological methods are introduced in the first two chapters. Succeeding chapters then address the question of how we know the past to provide an integrated presentation of prehistory. ...