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Though working-class women in the nineteenth century included many accomplished and prolific poets, their work has often been neglected by critics and readers in favour of comparable work by men. Questioning the assumption that few poems by working-class women had survived, Florence Boos set out to discover supposedly lost works in libraries, private collections, and archives. Her years of research resulted in this anthology. Working-Class Women Poets in Victorian Britain features poetry from a variety of women, including an itinerant weaver, a rural midwife, a factory worker protesting industrialization, and a blind Scottish poet who wrote in both the Scots dialect and English. In addition to biographical information and contemporary reviews of the poets’ work, the anthology also includes several photographs of the poets, their environment, and the journals in which their poems appeared.
As well as providing an authoritative history of art therapy, it covers such diverse topics as the philosophy of art therapy, the way attitudes to insanity have changed, the role of art therapy in the context of post-war rehabilitation and the treatment of tuberculosis patients, Surrealism, and Britain's first therapeutic community.
The story is about a young man named Bobby Wayne Brooks who grew up in central Georgia. When his country was drawn into an unwanted war, he enlisted in the navy and served as a navy SEAL. During those few years, he served honorably and exemplified great courage. He received injuries on one mission that were severe enough to end his career in the SEAL program. He was offered a different assignment or a medical discharge. He took the discharge and returned to civilian life. After those few years of fighting, he figured he had had enough excitement and dangerous activities to last a lifetime. But he soon found that his reasoning did not impact the things life had in store for him. As a civilian...