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A Cultural Theory of International Relations
An original theory of politics and international relations based on ancient Greek ideas of human motivation.
Female-Voice Song and Women’s Musical Agency in the Middle Ages
This collection of seventeen essays newly identifies contributions to musical culture made by women before 1500 across Europe. You will learn about repertoire from such diverse locations as Iceland, Spain, and Italy, and encounter examples of musicianship from the gender-fluid professional musicians at the Islamicate courts of Syria to the nuns of Barking Abbey in England. The book shows that women drove musical patronage, dissemination, composition, and performance, including within secular and ecclesiastical contexts, and also reflects on the reception of medieval women’s musical agency by both medieval poets and by modern recording artists. Contributors are David Catalunya, Lisa Colton, Helen Dell, Annemari Ferreira, Rachel Golden, Gillian L. Gower, Anna Kathryn Grau, Carissa M. Harris, Louise McInnes, Lisa Nielson, Lauren Purcell-Joiner, Megan Quinlan, Leah Stuttard, Claire Taylor Jones, Melissa Tu, Angelica Vomera, and Anne Bagnall Yardley.
Reading Across Cultures
Reading across Cultures explores a body of innovative Jewish literary works from the Middle Ages. In late twelfth- and thirteenth-century Ashkenaz—the Jewish communities in northern France, Germany, and England—Jewish authors translated several Old French and German stories into Hebrew. These stories are distinctly non-Jewish, drawing on the Christian romances of King Arthur and Alexander the Great and the classical fables of Aesop. Caroline Gruenbaum argues that these translations—rather than adapting stories that reflected Jewish religious or cultural practice—represent a body of secular Hebrew literature in Ashkenaz and evidence of a shared literary culture between Jews and Christians in medieval Europe. Reading Hebrew animal fables, folktales, and chivalric romance, Gruenbaum describes an intellectual climate that allowed the literati of medieval Ashkenaz to read across cultures. In these translations, produced by medieval Jews for entertainment and for wisdom, Gruenbaum finds a new literary awakening in Ashkenaz.
Desire by Gender and Genre in Trouvère Song
Unspoken desire in trouvère song. This study brings the songs of the trouvères to an encounter with Lacanian psychoanalytic theories of signification, sexual difference and unconscious desire. In trouvère song desire functions as a means of generic and "genderic" differentiation. The trouvères distinguished between sexual need or lust and desire, the latter usually confined to the masculine voice in high style. Less exalted persons, in whose company women were alreadyimplicitly included, appear as incapable of desire in the fin'amors register. Critics have treated the issue of desire as represented in the courtly chanson but, because criticism has followed the trouvères' distinction bet...
Lancelot-Grail
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The French Review
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