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A collection of thirteen original essays by leaders in the emerging field of ecocriticism,The Greening of Literary Scholarship is devoted to exploring new and previously neglected literatures, theories, and methods in environmental-literary scholarship. Each essay in this impressive collection challenges the notion that the study of environmental literature is separate from traditional concerns of criticism, and each applies ecocritical scholarship to literature not commonly explored in this context. New historicism, postcolonialism, deconstructionism, and feminist and Marxist theories are all utilized to evaluate and gain new insights into environmental literature; at the same time, Percy Bysshe Shelley, Upton Sinclair, Leslie Marmon Silko, and Susan Howe are studied from an ecocritical perspective. At its core, The Greening of Literary Scholarship offers a practical demonstration of how articulating traditional and environmental modes of literary scholarship can enrich the interpretation of literary texts and, most important, revitalize the larger fields of environmental and literary scholarship.
This multi-academic perspective on contemporary environmental issues reminds us of our oneness with the natural world and what that calls us to as moral creatures. Fashioned as a series of stories based on the model of biblical narrative, these seemingly multivalent voices and perspectives are joined together with biblical stories, references, and theological reflection to create in All Creation Is Groaning a seamless story that is both provocative and revelatory. All Creation Is Groaning provides a clear Vision of living life in a sacred universe. This Vision is linked to the biblical Vision of justice and righteousness for all of creation, and humankind's responsibility to hasten the Visio...
Ecocriticism has emerged as one of the most fascinating and rapidly growing fields of recent literary and cultural studies. From its regional origins in late-twentieth-century Anglo-American academia, it has become a worldwide phenomenon, which involves a decidedly transdisciplinary and transnational paradigm that promises to return a new sense of relevance to research and teaching in the humanities. A distinctive feature of the present handbook in comparison with other survey volumes is the combination of ecocriticism with cultural ecology, reflecting an emphasis on the cultural transformation of ecological processes and on the crucial role of literature, art, and other forms of cultural creativity for the evolution of societies towards sustainable futures. In state-of-the-art contributions by leading international scholars in the field, this handbook maps some of the most important developments in contemporary ecocritical thought. It introduces key theoretical concepts, issues, and directions of ecocriticism and cultural ecology and demonstrates their relevance for the analysis of texts and other cultural phenomena.
Contributed papers presented at two ecocriticism conferences organized by Indian Association for Studies in Contemporary Literature in English ... [et al.].
Scott Slovic has spent his life as a teacher, writer, environmental activist, and leader in the field of ecocritical literary studies. In Going Away to Think, he reflects on the twin motivations of his life—the commitment to do some good in the world and the impulse to enjoy life and participate fully in its most intense moments—and he examines the tension created by his efforts to balance these two poles of his responsibility. These essays reveal the complex inner life of one of this generation’s most important environmental critics and literary activists. They range from profound discussions of the role and responsibilities of scholarship to deeply personal ruminations on the impact of family crises and the influence of his wide-ranging travels.
Imaginative Ecologies: Inspiring Change through the Humanities highlights the role literature and visual arts play in fostering sustainability. It weaves together contributions by international scholars, practitioners and environmental activists whose insights are brought together to illustrate how creative imaginations can inspire change. One of the most outstanding characteristic of this volume is its interdisciplinarity and its varied methods of inquiry. The field of environmental humanities is discussed together with ideas such as the role of the public intellectual and el buen vivir. Examples of ecofiction from the UK, the US and Spain are analysed while artistic practices aimed at raising awareness of the effects of the Anthropocene are presented as imaginative ways of reacting against climate change and rampant capitalism.
Environmental rhetorics have expanded awareness of mass extinction, climate change, and pervasive pollution, yet failed to generate collective action that adequately addresses such pressing matters. This book contends that the anemic response to ecological upheaval is due, in part, to an inability to navigate novel forms of environmental guilt. Combining affect theory with rhetorical analysis to examine a range of texts and media, Ecologies of Guilt in Environmental Rhetorics positions guilt as a keystone emotion for contemporary environmental communication, and explores how it is provoked, perpetuated, and framed through everyday discourse. In revealing the need for emotional literacies that productively engage our complicity in global ecological harm, the book looks to a future where guilt—and its symbiotic relationships with anger, shame, and grief—is shaped in tune with the ecologies that sustain us.
With twelve original essays that characterize truly international ecocriticisms, New International Voices in Ecocriticism presents a compendium of ecocritical approaches, including ecocritical theory, ecopoetics, ecocritical analyses of literary, cultural, and musical texts (especially those not commonly studied in mainstream ecocriticism), and new critical vistas on human-nonhuman relations, postcolonial subjects, material selves, gender, and queer ecologies. It develops new perspectives on literature, culture, and the environment. The essays, written by contributors from the United States, Canada, Germany, Turkey, Spain, China, India, and South Africa, cover novels, drama, autobiography, m...
Twenty-First-Century Perspectives on British Travel Writing evidences the evolution of travel writing studies over the last two decades and points to innovative ways to study this heterogeneous genre. This volume seeks to build bridges between the study of travel writing and disciplines of sciences and human sciences so that the analyses of travel texts, images, and objects lead to interdisciplinary enrichment. This volume revisits the complicated relationship between fact and fiction, science and literature, and the world and the word through transdisciplinary approaches. Through case studies of British travel writing from the eighteenth to the twenty-first centuries, the contributors provide illustrations of the fruitful intersection of travel writing studies with other methodologies, such as literary studies, gender studies, postcolonial studies, visual studies, areal studies, engineering studies, food studies, animal studies, ecocriticism, posthumanism, and geocriticism.
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