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Maestro. Jean Baudrillard. The Last Prophet of Europe
Jean Baudrillard is characterized as the “Last Prophet of Europe”: not just because he was a prominent thinker, French philosopher and author of more than 50 works and essays that examine modern consumer society in depth. Events and phenomena described by Baudrillard in his works 20-30 years ago are taking place today. By means of his writings he described his view of the world and explained why people and society are the way they are. He “encrypted” in his works a system that allows for making accurate prognosis. There was no book until this that could have demonstrated the integral system of Baudrillard’s philosophy. Baudrillard did not share it with anybody and did not describe ...
At Face Value and Beyond
How to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth's street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value.
Turin Shroud: How Leonardo Da Vinci Fooled History
In 1988, carbon dating of the world's most famous Christian relic revealed that it was a mediaeval or Renaissance forgery. Yet many questions remained. How could a hoaxer of 500 or more years ago have created an image that appears so astonishingly lifelike when seen in photographic negative? How was such an image formed? And who would have dared fake the Holy Shroud of Jesus? Setting out to answer these questions, Lynn Picknett and Clive Prince discovered that the faker was none other than Leonardo da Vinci, the Renaissance artist, scientist, inventor - and hoaxer - whose innovations are acknowledged to have been centuries ahead of his time. They also reconstructed Leonardo's secret technique - becoming the first ever to recreate the Shroud image. Now revised and updated, sensationally the new 2006 edition of Turin Shroud presents the long-lost hard evidence to link the Shroud of Turin directly with Leonardo da Vinci. Perhaps this is even his 'confession' to having faked Christianity's most sacred relic, which will astonish both believers and sceptics alike, and present a new challenge to historians of both art and photography.
Leonardo Da Vinci
A biography of the notable Italian Renaissance artist, scientist, and inventor.
21st-Century Novel
This book is in part an anthology of the best of accounts of the World Writers Conference and also an overview of the lively wide-ranging global debate that the authors' views engendered among the many writers who took part.
Chambre Close
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Unraveling Edward S. Curtis's The North American Indian
In the years 1900-1930, American photographer Edward S. Curtis realized his life’s work, the monumental twenty-volume book series The North American Indian (1907-1930). Over the years, this work has been both praised and criticized. In this comprehensive and innovative study, Herman Cohen Stuart corrects a number of persistent misconceptions about the way Curtis, for many the most image-defining and influential photographer of American Indians, has represented the indigenous peoples of North America. The author argues that Curtis was keenly aware of the major changes Native Americans faced in the early 20th century. As is demonstrated by a thorough – both quantitative and qualitative – analysis of both Curtis’s texts and photographic artwork, Curtis was deeply conscious of the fact that by, and even before, the turn of the century, Western influences had already made large inroads into Native American life. This book provides a reappraisal of Curtis's position during this complicated and trying period for Native Americans.
Leonardo da Vinci
How our image of the Renaissance’s most famous artist is a modern myth Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of L...
Turning the Century
For developmental writing courses at the paragraph/essay level and freshman composition courses. This collection of non-traditional readings for writers encourages students to create and cultivate an idea, then develop a style to showcase that idea. Its selections appeal to those instructors who are interested in a more unique blend of readings that are literary, thought-provoking, experimental and multicultural, spanning a broad range of universal and individual themes, issues, and concerns. Through the use of multimedia examples and activities, this reader trains students in effective group and autonomous process thinking and learning, reading and writing, discussing and arguing.
