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From Ellen Datlow—“the venerable queen of horror anthologies” per the New York Times—comes a new entry in the series that has brought you thrilling stories from Stephen King and Mira Grant, the best horror stories available. For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the seventeenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Stephen King, Stephen Graham Jones, Paul Tremblay, Tananarive Due, Carmen Maria Machado, Joe Hill, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.
Small Spaces recasts the history of the British empire by focusing on the small spaces that made the empire possible. It takes as its subject a series of small architectural spaces, objects, and landscapes and uses them to narrate the untold stories of the marginalized people-the servants, women, children, subalterns, and racialized minorities-who held up the infrastructure of empire. In so doing it opens up an important new approach to architectural history: an invitation to shift our attention from the large to the small scale. Taking the British empire in India as its primary focus, this book presents eighteen short, readable chapters to explore an array of overlooked places and spaces. F...
El contexto sociohistórico contemporáneo, gracias a los feminismos de tercera y cuarta ola y al progreso de las teorías ‘queer’, ha favorecido la puesta en duda del binarismo sexo-género. Esto, junto a la revolución comunicativa de las dinámicas de web 2.0, ha provocado que proliferen identidades al margen de lo masculino y lo femenino, englobadas bajo el concepto de lo no binario. De la mano de estas identidades ha llegado su representación dentro y fuera del ámbito de la ficción, así como el debate en torno a su expresión gramatical. En ese sentido, mientras que en lengua inglesa existen entidades académicas como el diccionario ‘Merriam-Webster’ o el ‘Cambridge Dictio...
The July/August 2021 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Tananarive Due, Eleanor Arnason, Shaoni C. White, Tochi Onyebuchi, Ellen Kushner, and C.S.E Cooney. Reprint fiction by Yoon Ha Lee. Essays by Nisi Shawl, Troy L. Wiggins, Nino Cipri, and C.L. Clark, poetry by Minal Hajratwala, Betsy Aoki, Ali Trotta and Octavia Cade, interviews with Eleanor Arnason and C.S.E. Cooney by Caroline M. Yoachim, a cover by Alexa Sharpe, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Elsa Sjunneson. About Uncanny Magazine Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019 & 2020 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, and Chimedum Ohaegbu and Elsa Sjunneson, each issue of Uncanny includes new stories, poetry, articles, and interviews.
The March/April 2022 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Maureen McHugh, Miyuki Jane Pinckard, Shaoni C. White, Carlos Hernandez, Emma Törzs, Stephen Graham Jones, and Margaret Dunlap. Reprint fiction by Richard Butner. Essays by Jo Wu, Rebecca Romney, Elsa Sjunneson, and Sarah Gailey, poetry by Lalini Shanela Ranaraja, Praise Osawaru, Mary Soon Lee, and Nnadi Samuel, interviews with Miyuki Jane Pinckard and Emma Törzs by Caroline M. Yoachim, a cover by Paul Lewin, and editorials by Liz Argall, Lynne M. Thomas and Michael Damian Thomas, and Meg Elison. About Uncanny Magazine Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019 & 2020 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, Meg Elison, and Chimedum Ohaegbu, each issue of Uncanny includes new stories, poetry, articles, and interviews.
Unlocks the keys to the paradox of how sexual selection fertilized the explosion of culture, and the resulting fallout, in sexual dominion of man over woman and nature. How sexuality generates the universe, through symmetry-broken complementarity. The implicit conflict of interests of sexual intrigue, in the prisoners' dilemma, and its ecstatic resolution in the cosmology of love. Sexual dominance as a koan for planetary crises. 560 pages containing 270 illustrations.
We live in an age of unprecedented human mastery -- over birth and death, body and mind, nature and human nature. In every realm of life, science and technology have brought remarkable advances and improvements: we are healthier, wealthier, and more comfortable than ever before. But our gratitude for the benefits of progress increasingly mixes with concern about the meaning and consequences of our newfound powers. If we can dream about a new age of genetic medicine, we can also shudder at a new age of weapons of mass destruction. As we welcome longer lives, we wonder if we will still value human life as we should. In the Shadow of Progress: Being Human in the Age of Technology is a deep and ...
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