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Women Performers in Bengal and Bangladesh
Covering nearly 225 years, this volume tries to capture a broad spectrum of the situation of women performers from Gerasim Lebedeff's time (1795), who are considered to be the first performers in modern Bengali theatre, to today's time. The moot question is whether the role of women as performers evolved down the centuries. Whether this question will lead us to their subjugation to their male counterparts, producers, and directors has been explored here to give readers an understanding of when, where, by whom the politics began, and, by tracing the footprints, we have tried to understand if the politics has changed, or remains unchanged, or metamorphosed with regard to the woman's question i...
A Genre of Her Own
A Genre of Her Own offers an alternative account of literary beginnings in modern India through a surprising range of self-fashioning by women in genres such as pamphlets, letters, travelogues, essays, autobiographies and novels. Paying close attention to style and intentionality, this study traces mixed affective notes of pride, despair, lament, nostalgia, anger, hope and celebration in texts written in Marathi, Bengali, Urdu and English. These include Savitribai Phule's Kavya Phule (1854), Tarabai Shinde's Stri-Purush Tulana (1882), Anandibai Joshee's letters (1883 – 1884), Rukhmabai's "Reply" (1887), Krupabai Satthianadhan's Saguna (1888), Rashsundari Debi's Amar Jiban (1897), Swarnakum...
The Routledge Handbook of CoFuturisms
The Routledge Handbook of CoFuturisms delivers a new, inclusive examination of science fiction, from close analyses of single texts to large-scale movements, providing readers with decolonized models of the future, including print, media, race, gender and social justice. This comprehensive overview of the field explores representations of possible futures arising from non-Western cultures and ethnic histories that disrupt the “imperial gaze”. In four parts, The Routledge Handbook of CoFuturisms considers the look of futures from the margins, foregrounding the issues of Indigenous groups, racial, ethnic, religious, and sexual minorities, and any people whose stakes in the global order of ...
Performing Self/Performing Gender: Reading the lives of Women Performers in Colonial India
This book explores the shifting identity of the female performer in India, starting from the late 19th century to the early years of independence, through the study of autobiographies and memoirs. It attempts to make visible the actress figure by entering the history of performance, guided by the voice of the female performer. The discussion on performing woman in this book spans across the performing traditions of the tawaif, actresses in public theatre, early Indian film actresses, and actresses in the Indian People’s Theatre and the Prithvi Theatre.
Young India
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