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Atheists in America
This collection features more than two dozen narratives by atheists from different backgrounds across the United States. Ranging in age, race, sexual orientation, and religious upbringing, these individuals address deconversion, community building, parenting, and romantic relationships, providing a nuanced look at living without a god in a predominantly Christian nation. These narratives illuminate the complexities and consequences for nonbelievers in the United States. Stepping away from religious belief can have serious social and existential ramifications, forcing atheists to discover new ways to live meaningfully without a religious community. Yet shedding the constraints of a formal belief system can also be a freeing experience. Ultimately, this volume shows that claiming an atheist identity is anything but an act isolated from the other dimensions of the self. Upending common social, political, and psychological assumptions about atheists, this collection helps carve out a more accepted space for this minority within American society.
Beautiful Ghosts
A Generation X transgender woman, Sherilyn Connelly came out of the closet in 1999. Her own identity still emerging, she had stumbled into a difficult, stifling relationship. Also, her employment at a tech company ceased when the dot-com bubble burst. It was a goth boy from Bolinas that first took her shopping for make-up, and the San Francisco goth scene became her respite. This wickedly eye-opening memoir reveals how Connelly dealt with a toxic partner and found her voice as a woman. A longtime cinephile, it tells how she became a writer, rekindled a love for cult films and horror conventions, and learned "the secret to becoming a star." Her remembrances are also a tale of a bygone era of sex, music and San Francisco and its darkened underworld of goth strays--her literate vampires and beautiful ghosts.
S
Sherilyn Connelly, a transgender woman, writes about choosing a new name after transitioning.
Visible
Visible: A Femmethology, the only two-volume anthology devoted to femme identity, calls the LGBTQI community on its prejudices and celebrates the diversity of individual femmes. Award-winning authors, spoken-word artists, and new voices come together to challenge conventional ideas of how disability, class, nationality, race, aesthetics, sexual orientation, gender identity and body type intersect with each contributor's concrete notion of femmedom.
Discussing Disney
These scholarly essays examine Disney’s cultural impact from various perspectives—including film studies, history, musicology, gender and more. The academic field of Disney Studies has evolved greatly over the years, as the twelve essays collected in this volume demonstrate. With a diversity of perspectives and concerns, the contributors examine the cultural significance and impact of the Disney Company’s various outputs, such as animated shorts and films, theme park attractions, television shows, books, music, and merchandising. By looking at Disney from some of its many angles—including the history and the persona of its founder, a selection of its successful and not-so-successful films, its approaches to animation, its branding and fandom, and its reception and reinterpreted within popular culture—Discussing Disney offers a more holistic understanding of a company that has been, and continues to be, one of the most important forces in contemporary culture.
Sublimation
Sherilyn Connelly, a transgender woman, shares stories of her life before transitioning, including masterbation and posing nude for a photographer.
I Do/I Don't
This book is a collection of essays by one hundred thirty-nine individuals on the benefits and drawbacks of same-sex marriage. Included are solitary individuals and couples.
Feminist Collections
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Presenting Persis Khambatta
In 1965, 18-year-old Persis Khambatta became the third woman to be crowned Miss India. After moving to England and then to the United States, she found worldwide fame in the first Star Trek movie in 1979, and in 1980 she became the first Indian presenter at the Academy Awards. The American film industry seemed never to forgive Khambatta for being a non-white woman who refused to do nude scenes. After failing to sustain a career as either a producer or a performer, she achieved a triumph before her sudden death in 1998 with the publication of her book Pride of India: A Tribute to Miss India. Based on contemporary news articles and primary sources, this first biography examines Khambatta's Hindi and English-language film and television work, and demonstrates the many ways she was ahead of her time as a filmmaker, feminist, and humanitarian.
Beautiful Ghosts
A Generation X transgender woman, Sherilyn Connelly came out of the closet in 1999. Her own identity still emerging, she had stumbled into a difficult, stifling relationship. Also, her employment at a tech company ceased when the dot-com bubble burst. It was a goth boy from Bolinas that first took her shopping for make-up, and the San Francisco goth scene became her respite. This wickedly eye-opening memoir reveals how Connelly dealt with a toxic partner and found her voice as a woman. A longtime cinephile, it tells how she became a writer, rekindled a love for cult films and horror conventions, and learned "the secret to becoming a star." Her remembrances are also a tale of a bygone era of sex, music and San Francisco and its darkened underworld of goth strays--her literate vampires and beautiful ghosts.
