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Black Paris
Black Paris documents the struggles and successes of three generations of African writers as they strive to establish their artistic, literary, and cultural identities in France. Based on long-term ethnographic, archival, and historical research, the work is enriched by interviews with many writers of the new generation. Bennetta Jules-Rosette explores African writing and identity in France from the early négritude movement and the founding of the Présence Africaine publishing house in 1947 to the mid-1990s. Examining the relationship between African writing and French anthropology as well as the emergence of new styles and discourses, Jules-Rosette covers French Pan-Africanism and the revolutionary writing of the 1960s and 1970s. She also discusses the new generation of African writers who appeared in Paris during the 1980s and 1990s.
The Noir Atlantic
The Noir Atlantic follows the influence of African American author Chester Himes on francophone African crime fiction.
Landscapes between Then and Now
In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land...
Empire lost
Despite the loss of the French Empire, France and its former colonies are still bound by a common historical past. With the new global promotion of la Francophonie, the relation between the various constituencies of the French-speaking regions of the world is reexamined and debated in this book, through the conversation between scholars dealing with diverse texts and contexts that present the colonial contact and its imprint. The book illustrates how, in France and in its other worlds, that contact, its repercussions, and its memory are lived and expressed today in a variety of textual representations. The historical contact between France and its other worlds has given birth to new kinds of...
Afrique Sur Seine
Afrique sur Seine addresses the development since the 1950s of a new type of Francophone African novel created by first-generation black African authors living in France. Drawing parallels with other literatures like the beur and Antillean novels, Odile Cazenave examines how these authors, men and women, are parting from mainstream African literature by exploring more personal avenues while retaining a shared interest in the community of African emigrants. Cazenave deftly shows us how these writers maneuver between two cultures, languages, and spheres of being, and how they struggle to appeal to their French audience without being untrue to the complex history and reality they portray. Cazenave further discusses the stereotyping often promoted by French publishing houses to sell African-authored texts, and its impact. At a time when immigration is an important issue in France, and when post-colonial identity and culture is the object of still increasing interest and attention, Afrique sur Seine guides us through writing that surprises with its fresh insights into multiculturalism and integration.
Reenchantments
The first volume addresses the works of the 65 participating artists. The second volume covers the city as a place of artistic development and inspiration.
Fault Lines
None
South Meets West
Aus Anlass der Ausstellung South Meets West vom 9.11. - 5.12.1999 im National Museum of Ghana, Accra und vom 6.4. - 25.6.2000 in der Kunsthalle Bern und im Historischen Museum Bern, Schweiz
Research in African Literatures
Vol. 1- , spring 1970- , include "A Bibliography of American doctoral dissertations on African literature," compiled by Nancy J. Schmidt.
