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Integrating media studies, science and technology studies, and social psychology, Deceitful Media examines the rise of artificial intelligence throughout history and exposes the very human fallacies behind this technology.
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and...
The Global Wireless charts a history of wireless beginning in the 1910s, when it was used as a tool for global communication, and ending as it declined and slowly fell from view. Located at a crossroads of media history and science and technology studies, The Global Wireless recounts how the advent of wireless technologies created a novel socio-technical problem: since radio signals easily and unwittingly crossed national borders, they challenged existing systems and standards of national media infrastructure control. The book further examines the political negotiations around the International Telecommunication Union, the growth of international communication networks, and the expansion of global media companies on the eve of World War I. The Global Wireless demonstrates that long before Wi-Fi and 5G, another wireless technology had already spread around the globe and prompted, in its wake, a radical reconsideration of networked communication and community. The Global Wireless should appeal to a broad range of readers, from specialists in the history of radio, technology, and global politics, to professionals and hobbyists in today’s wireless and radio industries.
Introduction : dispossession in focus : between ancestral ties and settler territoriality -- Six geobiographies : senses of site in the white settler world -- Space and the settler geographical imagination : the survey, the camera, and the problematic of waste -- A clock for seeing : revelation and rupture in settler colonial landscapes -- Tanga Whaka-ahua or, the man who makes the likenesses : managing indigenous presence in colonial landscapes -- Colonial encounter, epochal time, and settler romanticism in the nineteenth century -- Noble cities from primeval rorest : settler territoriality on the world stage -- Settler nativity : nations and natures into the twentieth century -- Conclusion : settler colonialism, reconciliation, and the problems of place.
Silent-era film scholarship has all too often focused on a handful of German directors, including Fritz Lang, F. W. Murnau and Ernst Lubitsch, but little attention has been paid to arguably one of the most influential filmmakers of the period: Paul Leni. This collection - the first comprehensive English-language study of Leni's life and career - offers new insights into his national and international films, his bold forays into scenic design and his transition from German to Hollywood filmmaking. The contributors give fresh insights into Leni's most influential films, including Waxworks (1924), The Cat and the Canary (1927) and The Man Who Laughs (1928), and explores such lesser-known productions as The Diary of Dr. Hart (1918), Backstairs (1921) and the Rebus film series (1925-7). Engaging with new historical, analytical, and theoretical perspectives on Leni's work, this book is a groundbreaking exploration of a cinematic pioneer.
In this volume, leading scholars of photography and media examine photography’s vital role in the evolution of media and communication in the nineteenth century. In the first half of the nineteenth century, the introduction of telegraphy, the development of a cheaper and more reliable postal service, the rise of the mass-circulation press, and the emergence of the railway dramatically changed the way people communicated and experienced time and space. Concurrently, photography developed as a medium that changed how images were produced and circulated. Yet, for the most part, photography of the era is studied outside the field of media history. The contributors to this volume challenge thos...
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In Supernatural Entertainments, Simone Natale vividly depicts spiritualism’s rise as a religious and cultural phenomenon and explores its strong connection to the growth of the media entertainment industry in the nineteenth century. He frames the spiritualist movement as part of a new commodity culture that changed how public entertainments were produced and consumed. Starting with the story of the Fox sisters, considered the first spiritualist mediums in history, Natale follows the trajectory of spiritualism in Great Britain and the United States from its foundation in 1848 to the beginning of the twentieth century. He demonstrates that spiritualist mediums and leaders adopted many of the...
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