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The Sensory Child: Sight, Sound, Touch examines a poetic film form evident in contemporary cinema that seems intent on capturing the textures, the materials, and the sensations of childhood. These films foreground the child’s point of view, construct a child’s gaze, and mobilise an aesthetic that evokes a sensory recollection of childhood. This complex arrangement of aesthetic modes is intended to address the adult spectator bodily, and evoke the vivid, sensory memories of childhood. The Sensory Child rethinks a gap in contemporary film theory created by a seeming hiatus between psychoanalytic and phenomenological approaches to the cinema. The book examines key instances of this aesthetic of childhood in the films Aftersun (2022), The Fits (2015), What Maisie Knew (2013), and Moonlight (2016). May argues that psychoanalytic theory can elucidate the significance of such tactile moments, offering insight into the meaning evoked for the spectator by this sensory, poetic film form.
This book explores the concept of disability through a social, political, cultural, religious, and economics lens. It challenges the categorization of ‘physically-disabled’ produced by way of legal, medical, political, cultural, and literary narratives that comprise an exclusionary discourse. The volume discusses themes like disability and identity politics; disability and the western epistemology; disability in India; disability and the Indian English fiction and Hindi cinema to question the embodied hegemony of ‘norms’ and their effects in the construction and history of societies. It analyses select literary and cinematic texts like Trying to Grow, Fireproof, and Animal’s People; and movies, Black and Lafangey Parindey to critically examine the representation of disabled people as freak, monstrous and animal. The book also makes policy recommendations for inclusive education and work norms for disabled people. This book will be beneficial for scholars and researchers of disability studies, cultural studies, film studies, and English literature.
The Palgrave Handbook of Mimetic Theory and Religion draws on the expertise of leading scholars and thinkers to explore the violent origins of culture, the meaning of ritual, and the conjunction of theology and anthropology, as well as secularization, science, and terrorism. Authors assess the contributions of René Girard’s mimetic theory to our understanding of sacrifice, ancient tragedy, and post-modernity, and apply its insights to religious cinema and the global economy. This handbook serves as introduction and guide to a theory of religion and human behavior that has established itself as fertile terrain for scholarly research and intellectual reflection.
Together, Flags of our Fathers and Letters from Iwo Jima tell the story behind one of history's most famous photographs, Leo Rosenthal's 'Raising the Flag on Iwo Jima'.
This book is analytical and often critical about the subject it investigates, including literary and cultural aesthetics, social and political literatures, national identity speeches, and the psychoanalytic theory of language. Modernism in Settings attempts to reevaluate some important debates in those fields either from the 19th-20th centuries or otherwise Debates at that at the time often failed to take into consideration their full philosophical, social, theological or political implications. The book is primarily aimed at teachers and researchers interested in issues related to modernism within humanities and cultural studies. It discusses works by writers including James Joyce and Edgar Allan Poe, and philosophers and critics including Julia Kristeva and Wolf Lepenies; and covers issues including feminism, technology, and psychoanalysis.
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A genealogy and a history of the descendants of Joshua Fry and Mary Micou Fry. Their first child, John, was born 7 Apr or May 1737 in Essex Co., Va. Includes the descendants in Tennessee.
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A step-by-step approach to making the basketball team and improving skills necessary for realizing one's potential.