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thersites 17
thersites is an international open access journal for innovative transdisciplinary classical studies edited by Annemarie Ambühl, Filippo Carlà-Uhink, Christian Rollinger and Christine Walde. thersites expands classical reception studies by publishing original scholarship free of charge and by reflecting on Greco-Roman antiquity as present phenomenon and diachronic culture that is part of today’s transcultural and highly diverse world. Antiquity, in our understanding, does not merely belong to the past, but is always experienced and engaged in the present. thersites contributes to the critical review on methods, theories, approaches and subjects in classical scholarship, which currently s...
Epic Heroes on Screen
No detailed description available for "Epic Heroes on Screen".
Classical Myth on Screen
An examination of how screen texts embrace, refute, and reinvent the cultural heritage of antiquity, this volume looks at specific story-patterns and archetypes from Greco-Roman culture. The contributors offer a variety of perspectives, highlighting key cultural relay points at which a myth is received and reformulated for a particular audience.
Screening Love and War in Troy: Fall of a City
This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ...
Ancient Epic in Film and Television
How do epic tropes shape representations of the ancient world and determine contemporary understandings of historical events? What features of ancient epic persistently emerge in science fiction and fantasy narratives adapted to the screen, and why? How does the different scope of televisual versus cinematic media impact the representation of conventions derived from ancient epic? The international range of contributors to this volume respond to these questions by looking for features of epic outside the traditional realm of Greco-Roman antiquity, including historical films and series, fantasy, science fiction and documentary. By identifying epic conventions on the large and small screen, as well as within a range of speculative fictions in fantastical and futuristic settings, they consider the function of such conventions within their twenty-first-century production contexts.
Ancient Worlds in Film and Television
This volume reinvigorates the field of Classical Reception by investigating present-day culture, society, and politics, particularly gender, gender roles, and filmic constructions of masculinity and femininity which shape and are shaped by interacting economic, political, and ideological practices.
Rome, Season One
Rome, Season One: History Makes Television examines the first season of the HBO-BBC collaboration, Rome, in a collection of thought-provoking essays by some of the world's most influential scholars in the fields of classical antiquity and popular culture. Examines the first season of the HBO-BBC collaboration, Rome, in a collection of 17 thought-provoking essays by some of the world's most influential scholars in the fields of classical antiquity and popular culture Focuses on the award-winning first season's historical framework, visual and narrative style, contemporary thematic overtones, an.
Rome: A Sourcebook on the Ancient City
The ancient city of Rome was the site of daily activities as well as famous historical events. It was not merely a backdrop, but rather an active part of the experiences of its inhabitants, shaping their actions and infusing them with meaning. During each period in Rome's imperial history, her emperors also used the city as a canvas to be painted on, transforming it according to their own ideals or ambitions. Rather than being organized by sites or monuments, Rome: A Sourcebook on the Ancient City is divided into thematic chapters. At the intersection of topography and socio-cultural history, this volume examines the cultural and social significance of the sites of ancient Rome from the end of the Republic in the age of Cicero and Julius Caesar, to the end of the fourth century. Drawing on literary and historical sources, this is not simply a tour of the baths and taverns, the amphitheatres and temples of ancient Rome, but rather a journey through the city that is fully integrated with Roman society.
Elegiac Eyes
Elegiac Eyes is an in-depth examination of vision and spectacle in Roman love elegy. It approaches vision from the perspective of Roman cultural modes of viewing and locates its analysis in close textual readings of Tibullus, Propertius, and Ovid. The paradoxical nature of the Roman eyes, which according to contemporary optical theories were able to penetrate and be penetrated, as well as the complex role of vision in society, provided the elegists with a productive canvas for their poems. By locating the elegists' visual games within their contemporary context, Elegiac Eyes demonstrates how the elegists were manipulating notions that were specifically Roman and familiar to their readership.
