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The Politics of Trauma and Peace-Building
In marked contrast to literary, historical and cultural studies, there has been a limited engagement with the concepts and politics of trauma by political science and peacebuilding research. This book explores the debate on trauma and peacebuilding and presents the challenges for democratization that the politics of trauma present in transitional periods. It demonstrates how ideas about reconciliation are filtered through ideological lenses and become new ways of articulating communal and ethno-nationalist sentiments. Drawing on the work of Jacques Rancière and Iris Marion Young and with specific reference to the Northern Irish transition, it argues for a shift in focus from the representation of trauma towards its reception and calls for a more substantive approach to the study of democracy and post-conflict peacebuilding. This text will be of interest to scholars and students of peace and conflict studies, ethnic and nationalism studies, transitional justice studies, gender studies, Irish politics, nationalism and ethnicity.
The New Irish Studies
The New Irish Studies demonstrates how diverse critical approaches enable a richer understanding of contemporary Irish writing and culture. The early decades of the twenty-first century in Ireland and Northern Ireland have seen an astonishing rate of change, one that reflects the common understanding of the contemporary as a moment of acceleration and flux. This collection tracks how Irish writers have represented the peace and reconciliation process in Northern Ireland, the consequences of the Celtic Tiger economic boom in the Republic, the waning influence of Catholicism, the increased authority of diverse voices, and an altered relationship with Europe. The essays acknowledge the distinctiveness of contemporary Irish literature, reflecting a sense that the local can shed light on the global, even as they reach beyond the limited tropes that have long identified Irish literature. The collection suggests routes forward for Irish Studies, and unsettles presumptions about what constitutes an Irish classic.
The Oxford Handbook of Modern Irish Fiction
Presents essays by thirty-five leading scholars of Irish fiction that provide authoritative assessments of the breadth and achievement of Irish novelists and short story writers.
Post-Conflict Literature
This book brings together a variety of perspectives to explore the role of literature in the aftermath of political conflict, studying the ways in which writers approach violent conflict and the equally important subject of peace. Essays put insights from Peace and Conflict Studies into dialog with the unique ways in which literature attempts to understand the past, and to reimagine both the present and the future, exploring concepts like truth and reconciliation, post-traumatic memory, historical reckoning, therapeutic storytelling, transitional justice, archival memory, and questions about victimhood and reparation. Drawing on a range of literary texts and addressing a variety of post-conf...
The Fiction of Robin Jenkins
The Fiction of Robin Jenkins is the first ever volume of essays dedicated to Robin Jenkins (1912-2005), hailed by Andrew Marr as ‘the best-kept secret in Modern British Literature’, and by the Scotsman in 2000 as ‘the greatest living fiction-writer in Scotland [...] the Scottish Thomas Hardy’. This new study of Jenkins includes essays across his entire, astonishingly varied body of work. It includes provocative new readings of a range of thematic issues by established experts on Jenkins and on Scottish Literature more broadly. This volume also includes chapters dedicated to individual novels in Jenkins’s corpus, including his best-known work, The Cone-Gatherers, as well as The Changeling, Fergus Lamont, and his posthumous novel, The Pearl Fishers. Contributors: Ingibjörg Ágústsdóttir, Timothy C. Baker, Linden Bicket, Gerard Carruthers, Cairns Craig, Douglas Gifford, Michael Lamont, Margery Palmer McCulloch, Isobel Murray, Glenda Norquay, Alan Riach, David Robb, Bernard Sellin, Gavin Wallace.
Unwilling Executioner
Unwilling Executioner is the first book to examine the deep-rooted relationship between the development of crime fiction as a genre and the consolidation of the modern state. It offers a far-reaching and wide-ranging perspective on this unfolding relationship over a three hundred year period but is not a straightforward and conventional narrative history of the genre. It is part of a new and exciting critical move to read crime fiction as a transnationalphenomenon and to examine crime novelists in an innovative comparative context, taking them out of their discreet national traditions. Considers Anglo-American crime-writing, as well as works published inFrance, Italy, Germany, Ireland, Japan, South Africa and elsewhere, it addresses the related questions of why crime fiction is political and how particular examples of the genre engage with the complicated issue of political commitment.
Subaltern Ethics in Contemporary Scottish and Irish Literature
This book develops an innovative Irish-Scottish postcolonial approach by galvanizing Emmanuel Levinas' ethics with the socio-cultural category of the 'subaltern'. It sheds new light on contemporary Scottish and Irish fiction, exploring how these writings interact with the recent restructuring of the three state-formations in Ireland and Scotland.
The Edinburgh Companion to Contemporary Scottish Literature
This title examines the ways in which the cultural and political role of Scottish writing has changed since the country's successful referendum on national self-rule in 1997.
Sounding Conflict
Sound, music and storytelling are important tools of resistance, resilience and reconciliation in creative practice from protracted conflict to post-conflict contexts. When they are used in a socially engaged participatory capacity, they can create counter-narratives to conflict. Based on original research in three continents, this book advances an interdisciplinary, comparative approach to exploring the role of sonic and creative practices in addressing the effects of conflict. Each case study illustrates how participatory arts genres are variously employed by musicians, arts facilitators, theatre practitioners, community activists and other stakeholders as a means of 'strategic creativity' to transform trauma and promote empowerment. This research further highlights the complex dynamics of delivering and managing creativity among those who have experienced violence, as they seek opportunities to generate alternative arenas for engagement, healing and transformation.
