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Grand Design
Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, dr...
Drawings from the Age of Bruegel, Rubens, and Rembrandt
This superb book presents 100 notable examples from the Harvard Art Museums’ distinguished collection of Dutch, Flemish, and Netherlandish drawings from the 16th to 18th century. Featuring such masters as Pieter Bruegel the Elder, Peter Paul Rubens, and Rembrandt van Rijn, the volume showcases beautiful color illustrations accompanied by insightful commentary on prevalent styles and techniques. Genres that define this artistic period—landscape, scenes of everyday life, portraiture, and still life—are explored in detail. The book also presents the results of new conservation and technical study, including infrared analysis and scientific examinations of drawing materials. This revelatory new research has allowed previously illegible underdrawings and inscriptions in many of the artworks to surface for the first time, shedding light on longstanding mysteries of production and provenance.
The Life of Lambert Lombard (1565); and Effigies of Several Famous Painters from the Low Countries (1572)
Among the earliest written texts on the history and theory of Netherlandish art, these two key writings are now available together in an English translation. Dominicus Lampsonius’s The Life of Lambert Lombard (1565) is the earliest published biography of a Netherlandish artist. This neo-Latin account of the life of the painter, architect, and draftsman Lambert Lombard of Liège offers a theoretical exposition on the nature and ideal practice of Netherlandish art, emphasizing Lombard’s intellectual curiosity, interest in antiquity, attentive study of the human body, and exemplary generosity as a teacher. This volume offers the first English edition of The Life of Lambert Lombard, compleme...
German Paintings in the Metropolitan Museum of Art, 1350-1600
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
Wild Boar
Ancestors of domestic pigs, wild boars are tough, resourceful omnivores that have presented humans since prehistoric times with a tricky situation: they make for a delicious food source, but they are formidable animals with long tusks that can inflict serious harm. Wild Boar traces the interaction of humans and boars in fascinating detail, showing how our relationship has evolved over time and how it can be seen today as fundamentally representative of the questions at the heart of ecological preservation and restoration. Dorothy Yamamoto takes us from the dense streets of Tokyo to the Forest of Dean in England to show how wild boars have survived in a variety of settings. She also explores ...
Raphael to Renoir
"The works from the Bonna Collection are illustrated in color, and whenever possible, at their actual sizes. They are arranged chronologically by the artist's date of birth and are grouped according to the main artistic schools. This volume is introduced by an interview with Jean Bonna by George Goldner. Each drawing is then described in an entry, many of which have comparative illustrations that shed further light on individual works."--BOOK JACKET.
Peter Paul Rubens
Peter Paul Rubens. The Life of Achilles highlights just one aspect of Rubens's extensive oeuvre, a series of eight tapestries representing significant episodes from the life of the Greek hero Achilles. The eight oil sketches Peter Paul Rubens (1577-1640) painted to serve as designs for these remarkable tapestries are among the most beautiful works he produced. The sketches were subsequently worked up by Rubens and his studio and finally used as examples for far larger tapestries. This lavishly illustrated book traces the process from sketch to tapestry and sheds new light on Rubens and his working methods. Book jacket.
Albrecht Dürer
"A comprehensive catalogue covering all aspects of Albrecht Dürer’s extensive oeuvre has been published in conjunction with the exhibition. As a means of elucidating the suspenseful interplay between Dürer and his contemporaries, the catalogue places Dürer’s works in their historical context and deliberately juxtaposes them with works by artists of the same period. The reader thus gains very direct insight into the superior technical mastery as well as the intensity of Dürer’s art."--Publisher's description.
The Sixteenth Century Netherlandish Paintings with French Paintings Before 1600
The National Gallery, London possesses an important collection of paintings by 16th-century Netherlandish artists, including Joachim Beuckelaer, Hieronymus Bosch, Pieter Bruegel the Elder, Jean Gossart, and Quinten Massys. They are grouped here with a small number of French paintings, some by artists who came from the Low Countries (Corneille de Lyon, probably Jean Hey, and perhaps the Master of Saint Giles). Lorne Campbell's catalogue is a model of scholarship; he examined all the pictures with conservators and rigorously researched their histories, subjects, and styles. New discoveries about artists' techniques and practices have led to many reattributions, and the rescue from anonymity of over twenty paintings. The identities of several patrons are established or suggested, while an introductory essay explains how contemporaries regarded these paintings. Generously illustrated, with many details and technical photographs, and beautifully produced, this comprehensive catalogue is essential reading for scholars, while also introducing general readers to a vital part of the Gallery's collection. Published by National Gallery Company/Distributed by Yale University Press
