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When the Romans came north to what is now modern Scotland they encountered the fierce and proud warrior society known as the Picts, who despite their lack of discipline and arms, managed to prevent the undefeated Roman Army from conquering the northern part of Britain, just as they later repulsed the Angles and the Vikings.A New History of the Picts is an accessible true history of the Picts, who are so often misunderstood. New historical analysis, recently discovered evidence and an innovative Scottish perspective will expose long held assumptions about the native people.This controversial text contests that Scottish history has long since been dominated and distorted by misleading perspectives. A New History of the Picts discredits the idea that the Picts were a strange historical anomaly and shows them to be the descendants of the original inhabitants of the land, living in a series of loose tribal confederations gradually brought together by external forces to create one of the earliest states in Europe: a people, who after repulsing all invaders, merged with their cousins, the Scots of Argyll, to create modern Scotland. All of Scotland descends from the fierce Picts.
The culture of all nations is rooted in past experience, individual and communal. In Scotland's Future History McHardy looked at the misrepresentation of so much of Scotland's political and social history. In this new volume he takes a wider look at aspects of Scotland's culture that have been at the heart of how we have developed into who we are in today's world. Topics include literature, religion, history and story, the Radical 1790s, the remarkable Douglas Young and an introduction to Geomythography, a new way of melding prehistory and history to present a new and refreshing way seeing our past. Understanding our past is vital to the process of building a new Scotland in the years ahead. As Scotland moves towards reclaiming her status among the nations of the world it is important that we understand just how culturally distinctive we are. Being Scottish is no better than having any other nationality, but is is certainly no worse, and as this work hopefully shows, it is something worth celebrating.
McHardy presents a new approach to history, changing our mindset to look at Scotland as the centre of our story. Rather than starting from the Mediterranean, from the classical/Christian bias we have been taught for centuries. Rather than being a remote dark land populated by barbaric tribes. Perhaps we were the centre of a well-organised civilisation around the Orkneys and islands and coasts and rivers, with our own priorities, community-centred, locally self-sufficient, well-versed in lore of all kinds. Who were/are we? The great centres of ritual in Orkney, Lewis and Kilmartin suggest an indigenous population much more sophisticated in terms of social ritual and communal rule than we have been led to believe. In whose interest is it that we accept the classical/Christian version of history relayed to us by monks? These are some of the questions McHardy addresses in a passionate and accessible style. Read and become more Alba-centric in terms of what we see as important to research, study and understand.
What can we learn from our landscape? How can Geomythography help us understand our cultural heritage? What is Geomythography? Geomythography: The interpretation of prehistoric and later societies at specific locales through a combination of oral tradition, place-names, landscape analysis and archaeology. The process is a means of finding new perspectives and interpretations to further the understanding of early and extant cultures and the continuities between them. In this book, Stuart McHardy unveils the intricate ties between Scotland's landscapes and the rich tapestry of its pre-Christian and later traditions. Geomythography is a vital lens through which to understand the enduring relati...
Stuart McHardy examines the Pictish symbols which have been discovered on various items across Scotland. The book sets out a cohesive interpretation of the Pictish past, using a variety of both temporal and geographical sources. This interpretation serves as a backdrop for his analysis of the symbols themselves, providing a context for his suggestion that there was an underlying series of ideas and beliefs behind the creation of the symbols.
The Celtic belief that by recording a story the spirit of the story and its teller would die, has meant that generations worth of stories of have been lost. Celtic Sea Stories brings together myths and legends from the past, which the author has collected throughout his lifetime, along with others written specifically for the collection, to provide an enchanting vision of Scottish life by the sea. From kings and fairies to mermaids and witches every tale explores a different aspect of a forgotten way of life. Before schools and television storytelling was the only way to entertain, impart wisdom and explain the inexplicable. Celtic Sea Stories allows readers to share in the storytelling experience again and again, while learning about Scottish history and culture.
Celebrating its 900th year, Edinburgh is an unrivalled theatre of story. In this commemorative book, Donald Smith unravels the city's storytelling evolution across the centuries, illustrated with vivid detail by Cat Outram. How did Edinburgh get its name? What gives the city its unique character? Why do nation and planet come together here? How did Edinburgh become the city of literature, and a Festival city? Which books have made the most impact? Through its nine official centuries Edinburgh has thrived on books, words and ideas. Everyone who loves Edinburgh will love Donald Smith's exploration of this storied town, as will anyone interested in how place shapes people and people, place.
The Scotland of the past and the Scotland of the future. That is the essence of A Passion for Scotland, and its author David Ross takes the reader on a passionate journey through the story of this country, which stirs the primal fires from the opening lines. It is a personal, patriotic yet unbiased view of the path the Scots have taken, and of the path they are trying to forge into the 21st century, and is fascinating and moving by turns. It provides a wealth of material on Scotland, from history through to politics through to travel. But it is also an impassioned call to his fellow countrymen. Inside this book you will find out about Wallace and Bruce, Montrose, the Jacobites, John McLean, and Tartan Day USA. You will find out ?what makes a Scot?. Plus, revealed for the first time, details of the final resting places of all Scotland?s kings and queens.
For many centuries the people of Scotland have told stories of their ancestors, a mysterious tribe called the Picts. This ancient Celtic-speaking people, who fought off the might of the Roman Empire, are perhaps best known for their Symbol Stones ? images carved into standing stones left scattered across Scotland, many of which have their own stories. Here for the first time these tales are gathered together with folk memories of bloody battles, chronicles of warriors and priestesses, saints and supernatural beings. From Shetland to the Border with England, these ancient memories of Scotland's original inhabitants have flourished since the nation's earliest days and now are told afresh, shedding new light on our ancient past.
Voicing Scotland takes the reader on a discovery tour through Scotland's traditional music and song culture, past and present. West unravels the strings that link many of our contemporary musicians, singers and poets with those of the past, offering up to our ears these voices which deserve to be more loudly heard. What do they say to us in the 21st Century? What is the role of tradition in the contemporary world? Can there be a folk culture in the digital age? What next for the traditional arts? REVIEWS Can folk stay true to tradition and still be genuinely contemporary? Can its pride in place counter globalisation- without collapsing into narrow nationalism? The answer for, Gary West, is a resounding Yes. SCOTSMAN Voicing Scotland...is an engrossing assessment of where Scottish Traditional Music standsl, at a time of resonant political developments in the nation's history but also of globalisation and the threat of cultural homogenisation in todays 'liquid society'. SCOTSMAN