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Gender, Collaboration, and Authorship in German Culture
Gender, Collaboration, and Authorship in German Culture challenges a model of literary production that persists in literary studies: the so-called Geniekult or the idea of the solitary male author as genius that emerged around 1800 in German lands. A closer look at creative practices during this time indicates that collaborative creative endeavors, specifically joint ventures between women and men, were an important mode of literary production during this era. This volume surveys a variety of such collaborations and proves that male and female spheres of creation were not as distinct as has been previously thought. It demonstrates that the model of the male genius that dominated literary studies for centuries was not inevitable, that viable alternatives to it existed. Finally, it demands that we rethink definitions of an author and a literary work in ways that account for the complex modes of creation from which they arose.
Modernism and the Women’s Popular Romance in Britain, 1885–1925
Today’s mass-market romances have their precursors in late Victorian popular novels written by and for women. In Modernism and the Women’s Popular Romance Martin Hipsky scrutinizes some of the best-selling British fiction from the period 1885 to 1925, the era when romances, especially those by British women, were sold and read more widely than ever before or since. Recent scholarship has explored the desires and anxieties addressed by both “low modern” and “high modernist” British culture in the decades straddling the turn of the twentieth century. In keeping with these new studies, Hipsky offers a nuanced portrait of an important phenomenon in the history of modern fiction. He puts popular romances by Mrs. Humphry Ward, Marie Corelli, the Baroness Orczy, Florence Barclay, Rebecca West, Elinor Glyn, Victoria Cross, Ethel Dell, and E. M. Hull into direct relationship with the fiction of Virginia Woolf, Katherine Mansfield, James Joyce, and D. H. Lawrence, among other modernist greats.
The Female Figure in Contemporary Historical Fiction
From The Other Boleyn Girl to Fingersmith , this collection explores the popularity of female-centred historical novels in recent years. It asks how these representations are influenced by contemporary gender politics, and whether they can be seen as part of a wider feminist project to recover women's history.
Locating Gender in Modernism
This book visits modernism within a comparative, gendered, and third-world framework, questioning current scholarly categorisations of modernism and reframing our conception of what constitutes modernist aesthetics. It describes the construction of modernist studies and argues that despite a range of interventions which suggest that philosophical and material articulations with the third world shaped modernism, an emphasis on modernist "universals" persists. Ramanathan argues that women and third-world authors have reshaped received notions of the modern and revised orthodox ideas on the modern aesthetic. Authors such as Bessie Head, Josiane Racine, T.Obinkaram Echewa, Raja Rao, Gabriel Garc...
Persistence and Resistance in English Studies
Persistence and Resistance: New Research in English Studies gathers together a selection of articles by members of the Association of Young Researchers in Anglophone Studies (ASYRAS). The volume covers a wide range of topics dealing with English literature and culture, language and linguistics. Varied in content and methodology, the articles here offer valuable insights into how young researchers approach the field of English Studies at a time of crisis when the very existence of the university is at risk. The work gathered here also shows that we need to reconsider the meaning of international research. Based mostly in Spanish universities, the researchers gathered here come from a variety of national backgrounds, mainly Spanish, but also British, American, Eastern European and Chinese. They are producing research in English Studies in a global Anglophone environment, contributing at the same time – with persistence and resistance – new approaches that enhance the research produced in the geographical areas where English is spoken.
The Routledge Research Companion to Popular Romance Fiction
Popular romance fiction constitutes the largest segment of the global book market. Bringing together an international group of scholars, The Routledge Research Companion to Popular Romance Fiction offers a ground-breaking exploration of this global genre and its remarkable readership. In recognition of the diversity of the form, the Companion provides a history of the genre, an overview of disciplinary approaches to studying romance fiction, and critical analyses of important subgenres, themes, and topics. It also highlights new and understudied avenues of inquiry for future research in this vibrant and still-emerging field. The first systematic, comprehensive resource on romance fiction, this Companion will be invaluable to students and scholars, and accessible to romance readers.
Too Smart to be Sentimental
Through a series of critical and biographical essays, this work offers a feminist literary history of twentieth-century Irish America.
Clio
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Fictions of Feminine Citizenship
Fictions of Feminine Citizenship charts an alternative history of racial and sexual formation in the Caribbean. It examines the ways in which the socialization of female sexuality and the violence of sexual intimacies have mattered to imperialist and nationalist understandings and practices of citizenship. The book moves across historical periods and national contexts ranging from nineteenth-century indentureship in Jamaica to early twentieth-century American military intervention in the Dominican Republic, Haiti, and Trinidad. Through an interdisciplinary and comparative study of novels by contemporary diasporic Caribbean women writers, Donette Francis demonstrates that the sexual realities of women and girls challenge conventional regional histories. Francis defines this emergent feminist literature as “antiromance,” and argues that these novels contest the heteronormative model of coupling that underwrites constructions of home, family, nation, and diaspora in the Caribbean. Writing against the critical impulse to underscore women’s agency, Francis considers instead how Caribbean female subjects dwell in liminal spaces of both vulnerability and possibility.
