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Early Downhome Blues
Hailed as a classic in music studies when it was first published in 1977, Early Downhome Blues is a detailed look at traditional country blues artists and their work. Combining musical analysis and cultural history approaches, Titon examines the origins of downhome blues in African American society. He also explores what happened to the art form when the blues were commercially recorded and became part of the larger American culture. From forty-seven musical transcriptions, Titon derives a grammar of early downhome blues melody. His book is enriched with the recollections of blues performers, audience members, and those working in the recording industry. In a new afterword, Titon reflects on the genesis of this book in the blues revival of the 1960s and the politics of tourism in the current revival under way.
The Original Hot Five Recordings of Louis Armstrong
Between 1925 and 1928 the Hot Five--the incomparable Louis Armstrong and four seasoned practitioners of the burgeoning jazz style--recorded fifty-five performances in Chicago for the OKeh label. Oddly enough, the quintet immortalized on vinyl with recent technology rarely performed as a unit in local nightspots. And yet, like other music now regarded as especially historic, their work in the studio summarized approaches of the past and set standards for the future. Remarkable both for popularity among the members of the public and for influence on contemporary musicians, these recordings helped make "Satchmo" a familiar household name and ultimately its bearer an adored public figure. They s...
Moanin' Low
The first comprehensive guide to pre-1934 female popular vocal recordings sung in English—from around the world and including all styles—this discographical study includes solos, duets, trios, and quartets composed by the great songwriters of the early 1900s (from Irving Berlin to Victor Young). The majority of the listings includes material that has not been previously published, and a large number of entries profile such prolific artists as Helen Clark and Gladys Rice, who are not in previous discographies. A special feature includes data on sound-on-disc recording made for early talking-picture musical shorts (especially by Vitaphone) that is not documented elsewhere. A comprehensive ...
The Cuban Connection
THE MAN: Has Juan Martianos taken the phrase, "What can you do for your country?" to the extreme? How does a patriotic, Cuban sugar cane plantation owner end up in America as a high-ranking comrade in the A.C.P., and just how far will he go for the love of his country? THE COUNTRY: Beginning with marauding pirates, fierce Spanish conquistadors, greedy American capitalists, corrupt tyrants and Communists--at what price does the "Jewel of the Antilles," a beautiful, vibrant, but hostile country, whose motto is "Homeland or Death," get robbed time, after time, of its freedom? THE OPERATION: Masterminded by a man who is himself an orphan, how does an American-based orphanage, housing Cuban refugee boys, perform acts of treason against the powerful U.S.? THE CHILDREN: In a country whose advertised slogan is "Nada de muy importante de nino," - why must children pay for their fathers' sins? Meet Sara Martin, the beautiful daughter who is about to become entangled in the tumultuous, parallel relationship between Cuba and the United States.
The Crisis
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
