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The instant New York Times bestseller that reveals the collusion between Fox News and Donald Trump—with explosive new reporting covering the election and the January 6 riot. As the nation recovers from the Trump presidency, many questions remain: Why was the COVID-19 pandemic so grossly mishandled? How did we get so politically polarized? What caused white nationalist groups to come out of the shadows, and are they here to stay? The answers lie the twisted story of the relationship between Donald Trump and Fox News. Through firsthand accounts from over 250 current and former Fox insiders, CNN anchor and chief media correspondent Brian Stelter unlocks the inner workings of Rupert Murdoch’s multibillion-dollar media empire. The confessions are shocking: “We don’t really believe all this stuff,” a producer says. “We just tell other people to believe it.” Stelter completes the story of the Trump years and looks toward the future of the network that made him. Hoax is a book for anyone who reads the news and wonders how we got here, and what happens next.
Superhero meaning making is a site of struggle. Superheroes (are thought to) trouble borders and normative ways of seeing and being in the world. Superhero narratives (are thought to) represent, and thereby inspire, alternative visions of the real world. The superhero genre is (thought to be) a repository for radical or progressive ideas. In the superhero world and beyond, much is made of the genre's utopian and dystopian landscapes, queer identity-play, and transforming bodies, but might it not be the case that the genre's overblown normative framing, or representation, serves to muzzle, rather than express, its protagonists' radical promise? Why, when set against otherwise unbounded, and o...
What would you have to believe in order to dress up as a shaman, paint your face, and storm the U.S. Capitol? What could possibly lead somebody to claim that it upholds white supremacy to encourage hard work, self-reliance, rational thinking, punctuality, and politeness? Such behaviors would have been unimaginable only a few years ago. And yet here we are, witnessing millions of people across the political spectrum displaying these clear indications of an epistemically poisoned mind. Both red America and blue America are retreating into their own information bubbles, seceding from a common reality. Both consume far too much misinformation and disinformation, developing worldviews that can sometimes be unintelligible to others. This book explores these disturbing developments and what they mean for our society and implores us all to recover a shared sense of what is true.
Split into four sections, Seeing Fans analyzes the representations of fans in the mass media through a diverse range of perspectives. This collection opens with a preface by noted actor and fan Orlando Jones (Sleepy Hollow), whose recent work on fandom (appearing with Henry Jenkins at Comic Con and speaking at the Fan Studies Network symposium) bridges the worlds of academia and the media industry. Section one focuses on the representations of fans in documentaries and news reports and includes an interview with Roger Nygard, director of Trekkies and Trekkies 2. The second section then examines fictional representations of fans through analyses of television and film, featuring interviews wi...
In the early days of television, many of its actors, writers, producers and directors came from radio. This crossover endowed the American Radio Archives with a treasure trove of television documents. The collected scripts span more than 40 years of American television history, from live broadcasts of the 1940s to the late 1980s. They also cover the entire spectrum of television entertainment programming, including comedies, soap operas, dramas, westerns, and crime series. The archives cover nearly 1,200 programs represented by more than 6,000 individual scripts. Includes an index of personal names, program and episode titles and production companies, as well as a glossary of industry terms.
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Mercer (Messer) Norton (ca. 1750-ca. 1800) moved from Fairfax (later Loudon) County, Virginia to Randolph County, North Carolina, married Martha Higgins, moving in 1790 to Burke County, North Carolina, and later to Wayne County, Kentucky. Descendants lived in North Carolina, Kentucky, Alabama, Arkansas, Texas, Arizona, Utah, California and elsewhere.
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