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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
A collection of essays consider the selling of American Indian culture and how it affects the Native community, showing how appropriation of American Indian cultures have been persistent practices of American society over the last century, constituting a form of cultural imperialism that could contribute to the destruction of American Indian culture and identity.
Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference THEATRE HISTORY STUDIES, VOLUME 38 PART I: Studies in Theatre History MATTHIEU CHAPMAN Red, White, and Black: Shakespeare’s The Tempest and the Structuring of Racial Antagonisms in Early Modern England and the New World MICHAEL CHEMERS AND MICHAEL SELL Sokyokuchi: Toward a Theory, History, and Practice of Systemic Dramaturgy JEFFREY ULLOM The Value of Inaction: Unions, Labor Codes, and the Cleveland Play House CHRYSTYNA DAIL When for “Witches” We Read “Women”: Advocacy and Ageism in Nineteenth-Century Salem Witchcraft Plays ...
THE TROPIC OF X is a play by 2012 OBIE-award winning playwright Caridad Svich. This five-character play tells the defiant love story of Mori and Maura, two street kids hustling and trying to survive in a broken city somewhere in the polyglot Americas. This new edition, which marks the 2013 North American premiere of the play, includes an introduction by scholar Marvin Carlson, a director's statement by Nathan A. Cooper and an essay by scholar Tamara Underiner.
The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that ...
Traces the historical dimensions of Native North American drama using a critical perspective.
The nature of the Old and New West is fully reflected through dialects, beliefs, occupations, and actions in this collection of thirteen plays with complete stage directions. Set in Arizona, Nevada, and Utah from the mid-1800s to the present day and focusing on veterans, children, prostitutes, priests, the newborn, and newly dead, these one-acts written by playwrights who know the region give voice to those who created and continue to recreate the West. This collection of contemporary plays, written out of love and concern for the region, examines as never before the western myths rooted in the national psyche. The characters battle limits, deny fate, and seek new beginnings. The plays examine symptoms, pose questions, and seek answers about the past and present West.
Here are two books in one: an extensive discussion of Western esotericism in relation to the most famous drama of the Russian Silver Age, The Rose and the Cross, along with a new translation of Aleksandr Blok's mysterious play. Blok was inspired by the occult revival that largely defined the Russian Silver Age, and his play dramatizes his replies to the characteristically Gnostic questions ""Who are we? What have we become? Where were we? Whither have we been cast?"" In his comprehensive introduction to and commentary on The Rose and the Cross, Lance Gharavi reveals how Blok, in this highly symbolic drama, drew from the Western esoteric tradition sof Gnosticism, Kabbalism, Hermetism, and alchemy in order to create his own masterwork, here complete with Blok's own annotations.