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This wide-ranging collection investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex patterns of identification, disavowal, and displacement in films by such diverse directors as Khutsiev, Motyl', Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. Several chapters focus on the difficulties of fulfilling the paternal function, while others show how vertical and horizontal male bonds are repeatedly strained by the pressure of redefining an embattled masculinity in a shifting political landscape.
A seminal work in the field, this book shows how transformative education can be applied to world language programs.
This is the first book to explore the phenomenon of glamour and celebrity in contemporary Russian culture, ranging across media forms, disciplinary boundaries and modes of inquiry, with particular emphasis on the media personality. Considering both general tendencies and individual celebrities, it examines the internal dynamics of the institutions involved in the production, marketing and maintenance of celebrities, and the context and imperatives which drive Russian society’s fascination with glamour and celebrity.
Starting with the first man-made satellite 'Sputnik' in 1957 and culminating four years later with the first human in space, Yuri Gagarin, space became a new utopian horizon. This book explores the profound repercussions of the Soviet space exploration program on culture and everyday life in Eastern Europe, especially in the Soviet Union itself.
In The Early Film Music of Dmitry Shostakovich, Joan Titus examines the scores of six of Shostakovich's films, from 1928 through 1936 with an approach that combines film studies, musicology, Russian studies and original scholarship. Through Shostakovich's scores, Titus engages with the construct of Soviet intelligibility, the filmmaking and scoring processes, and the cultural politics of scoring Soviet film music, asking why and how listeners understand the composer the way they do.
Since 1956, The Long Walk has been, for many, the symbol of an immense love of freedom and has become one of the greatest true-life adventure stories of all time. The harrowing story about a group of POWs who escaped a labor camp in Siberia and walked to freedom in India during WWII deeply affected thousands of its readers, and Linda Willis was one of those moved by the story. But she had questions about its authenticity: Was it all true? What happened after their arrival in India? Were there others involved in the story? Who was Mr. Smith? Though she was not a trained researcher, Willis felt compelled to look at some of the most powerful aspects of the story and to try to dig to the core of...
The second half of the nineteenth century was a turbulent and momentous time in Russian history, during which were sown the seeds of the revolution that would rout the monarchy and transform Russian society in the next century. In literature, this was the age of the great Realist novel, of the novelists and novels that first put Russian literature on the map of European culture.
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Produced to complement Gerhart's previous book, The Russian's World, this substantial tome contains a dozen contributed chapters (from professors at various American universities) on many aspects of Russian culture, including poetry, prose, children's literature, theater, art, popular entertainment, geography, and government. The idea is to present cultural context that enables and enhances study of the language. While most readers are likely to have had some Russian, those with just an interest in Russian culture will also find the material accessible and useful. Arrangement is in sections on history, language, spectacle, and reality; and appendices supply additional information and resources. Indexing is in both English and Russian. Annotation copyrighted by Book News, Inc., Portland, OR.