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Reformed Theology
A dynamic array of scholars here inspects the role of the Reformed confessional tradition in the reading and interpretation of Scripture. Written by contributors not only from the West but also from Hungary, Romania, India, South Africa, and China, these essays recognize the influence of one??'s context in doing exegetical work. Wide-ranging and lucid, Reformed Theology: Identity and Ecumenicity II is an excellent resource for readers looking to examine current biblical and theological trends in Reformed thought. Contributors: Denise M. Ackermann Peter Balla Brian K. Blount Hendrik Bosman H. Russel Botman William P. Brown H. J. Bernard Combrink Beverly Roberts Gaventa Zsolt Gereb Theodore Hiebert Jaqueline E. Lapsley Bernard Lategan James Luther Mays J. Clinton McCann Jr. Alexander J. McKelway Patrick D. Miller Elna Mouton Piet J. Naud? Ed Noort E. A. Obeng Douglas F. Ottati Ronald A. Piper Cynthia L. Rigby D. R. Sadananda Konrad Schmid Dirk Smit Iain Torrance Hans Weder Carver T. Yu
A Theology of Nonsense
There is within all theological utterances something of the ridiculous, perhaps more so in Christianity, given its proclivity for the paradoxical and the childlike. Yet, few theologians are willing to discuss that consent to the Christian doctrine often requires a faith that goes beyond reason or does not exclusively identify with it. There seems to be a fear that the association of theology with the absurd will give fuel to the skeptic's refrain: "you can't seriously believe in all that nonsense." This book considers the legitimacy of the skeptic's objection and rather than trying to explain away points of logical contradiction, the author explores the possibility that an idea can be contra...
Liturgical-Missional
What is the nature and purpose of the church for a twenty-first-century world? What is the church's calling in an age of globalization? Twenty-one pastors and theologians in the Reformed tradition offer insightful perspectives by bringing into conversation the treasures of liturgical and missional theology. These authors see the church's essential character to be as worshipping-witnessing communities, gathered and sent by the triune God. Topics that are explored include the relationship between worship and mission, baptism and the Eucharist, the formative role of community, the catholicity and ecumenicity of the church, multiculturalism, and hymnody.
Collision
With very few exceptions, interdisciplinary art and interarts practices—examined as such, including the perspective of artist-researchers, and not subsumed under a singular category of performance or visual art—have, until now, been largely ignored. While it would be simplistic to think that this collection somehow rectifies the “piecemeal” status of this discourse, our wager is that this collection works towards presenting an understanding of this status as, in a certain sense, constitutive of the field. Beginning with an introduction to the very multiplicities that compose and complicate interdisciplinary practices, then moving into questions of body/technology, location/movement, ...
Listening in the Afterlife of Data
In Listening in the Afterlife of Data, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of the practical workings of specific technologies, situations, and artworks. In a time he calls the afterlife of data—the cultural context in which data’s hegemony persists even in the absence of any belief in its validity—Cecchetto shows how data is repositioned as the latest in a long line of concepts that are at once constitutive of communication and suggestive of its limits. Cecchetto points to the failures and excesses of communication by focusing on the power of listening—whether through wearable technology, internet-based artwork, or the ways in which computers process sound—to pragmatically comprehend the representational excesses that data produces. Writing at a cultural moment in which data has never been more ubiquitous or less convincing, Cecchetto elucidates the paradoxes that are constitutive of computation and communication more broadly, demonstrating that data is never quite what it seems.
The Ethos of the Cosmos
Recent studies of the biblical story of creation try to uncover its roots in ancient Near Eastern myths or its compatibility with modern science and ecology. In contrast, this work by William Brown investigates how the various pictures of creation found in Scripture helped shape the ancient faith community's moral character. Bridging the fields of biblical studies and ethics, this interdisciplinary work demonstrates how certain creation traditions of the Old and New Testaments were developed from the community's moral imagination for the purpose of forming and preserving both Israel's and the early church's identity in the world. Bringing to light insights largely overlooked by modern treatments of biblical ethics and creation, The Ethos of the Cosmos ends by recommending the formative power of creation for the contemporary church.
Dowsing for Failure
"Dowsing for Failure was the latest in decades of Open Space programming intended to complicate the traditions of curatorship and presentation. Failure -- as something that cannot be willfully coveted but must, in many ways, be "happened" upon accidentally and in most instances unintentionally -- holds innovative and intriguing artistic and theoretical possibilities. In exact opposition to the philosophy of the "happy accident" that forms much of the romance of failure as a legitimate element of artistic discovery, Dowsing For Failure seeked specific artists who have encountered ways of not succumbing to the optimistic and opportunistic mobilization of failure in the name of success."--Open Space website.
Image & Imagination
A richly illustrated exploration of the imagination in photography featuring the work of over sixty international artists.
In Praise of Nonsense
A speculative exploration of theory, subjectivity and art in an age of uncertainty.
Photographing Ambiguity
Photographing Ambiguityexamines photography as a metaphor for technological culture, arguing that a relational exploration of the medium can shed light on the dominant ideological tendencies of our time. The book advocates for photographic practices that emphasize ambiguity, suggesting that this approach fosters more conscientious, ecological, and creative relationships within the technological ecosystem of contemporary life. Ted Hiebert critiques the notion that images should primarily serve to verify or document the external world. He contends that these quantifiable perspectives, while rooted in historical trends towards technology and data, have become so pervasive that they represent a dominant ideological bias in the twenty-first century. In response to this data-driven consciousness, the book presents a series of exercises designed to cultivate an embodied experience with digital living - not in opposition to the flood of images but within it. Ultimately, Photographing Ambiguityencourages readers to understand photographs not as benchmarks of reality but as ambiguous constructions of our present and future imaginaries.
