Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This Body
Set in London, Toronto and Guyana, this title conveys secrets that usually remain untold - those of desire, loss, identity, and of love lost and found.
Shame On Me
SHORTLISTED FOR THE 2020 OCM BOCAS PRIZE FOR CARIBBEAN LITERATURE ‘What are you?’ Tessa McWatt knows first-hand that the answer to this question, often asked of people of colour by white people, is always more complicated than it seems. Is the answer English, Scottish, British, Caribbean, Portuguese, Indian, Amerindian, French, African, Chinese, Canadian? Like most families, hers is steeped in myth and the anecdotes of grandparents and parents who view their histories through the lens of desire, aspiration, loss, and shame. In Shame On Me she unspools all the interwoven strands of her inheritance, and knits them back together using additional fibres from literature and history to strengthen the weave of her refabricated tale. She dismantles her own body and examines it piece by piece to build a devastating and incisively subtle analysis of the race debate as it now stands, in this stunningly written exploration of who and what we truly are.
Vital Signs
‘I think I have found the way to talk to her in the present. The past takes too much language.’ So much is taken for granted in a long marriage, so much is relied upon, resented, and never spoken of. When Anna begins to mangle her sentences as a result of a brain aneurysm that could kill her at any moment, her husband Mike uses his talent as a graphic artist to draw his way closer to his wife. Trying to communicate with her, and himself too, through signs and symbols, he wants to show his wife that she has been his entire universe. But Mike is deeply flawed, hovering on the knife-edge of a confession, he selfishly looks to the woman he loves for absolution. Not knowing how much time they have left together and incoherent with guilt, will he finally confess all the ways in which he rebelled against her power over him, the way he betrayed her?
The Snag
FINALIST for the 2025 Hilary Weston Writers' Trust Non-Fiction Prize In her memoir The Snag, the acclaimed, award-winning author of Shame on Me, Tessa McWatt, takes on personal and collective grief, and the solace and inspiration to be found in connecting with nature—and each other. Every day, we hear about and experience griefs, large and small, in our families, friendships, communities, and worldwide. The grief of a loved one passing. The grief of a way of life ceasing to exist. The grief of global pandemic, war, climate collapse. As her mother’s dementia advances and she can no longer live independently, Tessa McWatt confronts personal and political losses, and finds herself wandering...
The Sides of the Sea
In The Sides of the Sea: Caribbean Women Writing Diaspora, Johanna X. K. Garvey examines the works of contemporary writers from eight Caribbean countries, including Haiti, Trinidad and Tobago, and the Dominican Republic. Authors from Anglophone, Francophone, and Spanish-speaking countries illustrate experiences across the African Diaspora, including enslavement, colonialism, revolt, marronage, and decolonization. Characters in fiction and poetry by such writers as Erna Brodber, Jan J. Dominique, Mayra Santos-Febres, Tessa McWatt, and Dionne Brand confront trauma, engage in struggle, forge connection, and act as agents of change. Complicating categories of identification and employing multipl...
The Snag
Every day, we hear about and experience griefs, large and small, in our families, friendships, communities, and worldwide. The grief of a loved one passing. The grief of a way of life ceasing to exist. The grief of global pandemic, war, climate collapse. In The Snag, the acclaimed author of Shame on Me, Tessa McWatt, takes on personal and collective grief, and climate change, in her much-anticipated second nonfiction book. As her mother’s dementia advances and it becomes apparent that she can no longer live independently, Tessa considers griefs personal and political, and finds solace in trees. She asks: How do we grieve? And: What can we learn from nature and those whose communities are r...
The Snow Line
Old and young. White and brown. Male and female. British. Indian. Other. Four strangers from around the world arrive in India for a wedding. Together, they climb a mountain — but will they see the same thing from the top? Londoner Reema, who left India before she could speak, is searching for a sign that will help her make a life-changing decision. In pensioner Jackson’s suitcase is something he must let go of, but is he strong enough? Together with two unlikely companions, they take a road trip up a mountain deep in the Himalayas, heading for the snow line — the place where the ice begins. But even standing in the same place, surrounded by magnificent views, they see things differently. As they ascend higher and higher, they must learn to cross the lines that divide them.
Step Closer
Emily, a young Canadian woman living in Spain, seeks to understand a tragedy in her recent past involving two friends, Gavin and Marcus, along the Santiago de Compostela pilgrimage trail. The events of that summer have their roots in the boys' adolescence and a crime that sent one to jail while the other went free.
What's a Black Critic to Do II
In What's a Black Critic to Do II, literary critic Donna Bailey Nurse once again gathers together profiles, reviews, interviews, and essays that examine race, culture, and multiculturalism through the lens of literature. This collection, featuring well-known writers, such as Lawrence Hill, Afua Cooper, Christopher Paul Curtis, Natasha Trethewey, Toni Morrison, David Chariandy, Joseph Boyden, and Kwame Dawes. What's a Black Critic to Do II is of especial interest to black readers as well as teachers, librarians, and book clubs. This companion to 2003's What's a Black Critic to Do? constitutes a candid conversation about race in an ostensibly "post-racial" world.
