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Thomas Eakins
Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centuries, Elizabeth Johns answers this question.
Thomas Eakins
The life and work of Thomas Eakins (1844–1916), America’s most celebrated portrait painter, have long generated heated controversy. In this fresh and deeply researched interpretation of the artist, Amy Werbel sets Eakins in the context of Philadelphia’s scientific, medical, and artistic communities of the 19th century, and considers his provocative behavior in the light of other well-publicized scandals of his era. This illuminating perspective provides a rich, alternative account of Eakins and casts entirely new light on his renowned paintings. Eakins’ modern critics have described his artistic motivations and beliefs as prurient and even pathological. Werbel challenges these interpretations and suggests instead that Eakins is best understood as an artist and teacher devoted to an exacting and profound study of the human body, to equality for women and men, and to middle-class meritocratic and Quaker philosophies.
Thomas Eakins and the Cultures of Modernity
"Thomas Eakins and the Cultures of Modernity is the first book to situate Philadelphia's greatest realist painter in relation to the historical discourse of cultural difference. In this study Alan C. Braddock reveals that modern anthropological perceptions of "culture," which many art historians attribute to Eakins, did not become current until after the artist's death in 1916. Braddock finds in the work of Thomas Eakins a lifelong engagement with aesthetic and social currents that extended well beyond his native city of Philadelphia, indicating the persistence of a worldly sensibility long after he had concluded his formative studies in Europe during the 1860s. Braddock shows how Eakins developed a localized cosmopolitanism all his own, based in Philadelphia but tapped into a global field of visual production."--Jacket.
Thomas Eakins
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Thomas Eakins
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Thomas Eakins and the Uses of History
The first book-length study to explore the Philadelphia realist artist's lifelong fascination with historical themes, this examination of Eakins reveals that he envisioned his artistic legacy in terms different from those by which twentieth-century art historians have typically defined his art.
Delphi Complete Works of Thomas Eakins (Illustrated)
The American realist painter Thomas Eakins is now widely acknowledged as one of the most important American artists, though during his lifetime he was a controversial figure whose work received little recognition. He worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He produced several hundred portraits, usually of friends, family members, or prominent people in the arts and sciences, carrying the tradition of nineteenth century Realism to perhaps its highest achievement. His art was never compromised by the need to flatter patrons or sitters, and honesty was his only policy. His work served as an impetus for the burst of realism in American pai...
Thomas Eakins
The range of Thomas Eakins' (1844-1916) work is dazzling - handsome sporting scenes (sculling, swimming, baseball, boxing..), dramatic historical tableaux, psychologically incisive portraits, as well as sculptures and scientifically astute experiments with photography. His influence as both artist and teacher permeates American art history.
