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The Bloomsbury Handbook of Sonic Methodologies
  • Language: en
  • Pages: 849

The Bloomsbury Handbook of Sonic Methodologies

The field of Sound Studies has changed and developed dramatically over the last two decades involving a vast and dizzying array of work produced by those working in the arts, social sciences and sciences. The study of sound is inherently interdisciplinary and is undertaken both by those who specialize in sound and by others who wish to include sound as an intrinsic and indispensable element in their research. This is the first resource to provide a wide ranging, cross-cultural and interdisciplinary investigation and analysis of the ways in which researchers use a broad range of methodologies in order to pursue their sonic investigations. It brings together 49 specially commissioned chapters that ask a wide range of questions including; how can sound be used in current academic disciplines? Is sound as a methodological tool indispensable for Sound Studies and what can sound artists contribute to the discourse on methodology in Sound Studies? The editors also present 3 original chapters that work as provocative 'sonic methodological interventions' prefacing the 3 sections of the book.

Dust of the Zulu
  • Language: en
  • Pages: 373

Dust of the Zulu

In Dust of the Zulu Louise Meintjes traces the political and aesthetic significance of ngoma, a competitive form of dance and music that emerged out of the legacies of colonialism and apartheid in South Africa. Contextualizing ngoma within South Africa's history of violence, migrant labor, the HIV epidemic, and the world music market, Meintjes follows a community ngoma team and its professional subgroup during the twenty years after apartheid's end. She intricately ties aesthetics to politics, embodiment to the voice, and masculine anger to eloquence and virtuosity, relating the visceral experience of ngoma performances as they embody the expanse of South African history. Meintjes also shows how ngoma helps build community, cultivate responsible manhood, and provide its participants with a means to reconcile South Africa's past with its postapartheid future. Dust of the Zulu includes over one hundred photographs of ngoma performances, the majority taken by award-winning photojournalist TJ Lemon.

The Oxford Handbook of Country Music
  • Language: en
  • Pages: 593

The Oxford Handbook of Country Music

Now in its sixth decade, country music studies is a thriving field of inquiry involving scholars working in the fields of American history, folklore, sociology, anthropology, musicology, ethnomusicology, cultural studies, and geography, among many others. Covering issues of historiography and practice as well as the ways in which the genre interacts with media and social concerns such as class, gender, and sexuality, The Oxford Handbook of Country Music interrogates prevailing narratives, explores significant lacunae in the current literature, and provides guidance for future research. More than simply treating issues that have emerged within this subfield, The Oxford Handbook of Country Music works to connect to broader discourses within the various fields that inform country music studies in an effort to strengthen the area's interdisciplinarity. Drawing upon the expertise of leading and emerging scholars, this Handbook presents an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century.

Heavy Metal Generations
  • Language: en
  • Pages: 153

Heavy Metal Generations

  • Type: Book
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  • Published: 2020-04-14
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  • Publisher: BRILL

This volume was first published by Inter-Disciplinary Press in 2012. Heavy Metal Generations is the fourth volume in the series of papers drawn from the 2012 Music, Metal and Politics international conference, which attracted scholars from around the globe, working within a diverse range of academic disciplines, to converge in Prague, Czech Republic, for three days of panel presentations, debate and conjecture about the past, present and future of metal music studies. The flavour of diversity, synchronicity and inter-disciplinarity that characterised the event can be gauged from the selection of chapters presented in this volume. We hope this collection contributes to the rising tide of academic work that serves to broaden and deepen heavy metal music studies’ intellectual and aesthetic grounds, critical agenda and political value by undermining old certainties and suggesting new horizons in the context of current social conditions, politics and society.

Nashville Cats
  • Language: en
  • Pages: 347

Nashville Cats

The Nashville Cats bounced from studio to studio along the city's Music Row, delivering instrumental backing tracks for countless recordings throughout the mid-20th century. Music industry titans like Chet Atkins, Anita Kerr, and Charlie McCoy were among this group of extraordinarily versatile session musicians who defined the era of the "Nashville Sound," and helped establish the city of Nashville as the renowned hub of the record industry it is today. Nashville Cats: Record Production in Music City is the first account of these talented musicians and the behind-the-scenes role they played to shape the sounds of country music. Many of the genre's most celebrated artists-Patsy Cline, Jim Ree...

Current Musicology
  • Language: en
  • Pages: 392

Current Musicology

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

None

Journal SEAMUS
  • Language: en
  • Pages: 124

Journal SEAMUS

  • Type: Book
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  • Published: 2005
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  • Publisher: Unknown

None

Yorùbá Bàtá Goes Global
  • Language: en
  • Pages: 264

Yorùbá Bàtá Goes Global

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

Responding to growing international interest in the Yorùbá culture of southwestern Nigeria, practitioners of bàtá--a centuries-old drumming, dancing, and singing tradition--have recast themselves as traditional performers in a global market. As the Nigerian market for ritual bàtá has been declining, international opportunities for performance have grown. Debra L. Klein's lively ethnography explores this disjunction, revealing the world of bàtá artists and the global culture market that helps to sustain their art. Yorùbá Bàtá Goes Global describes the dramatic changes and reinventions of traditional bàtá performance in recent years, showing how they are continually recreated, pe...

The Phonograph Effect
  • Language: en
  • Pages: 718

The Phonograph Effect

  • Type: Book
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  • Published: 1999
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  • Publisher: Unknown

None

RILM Abstracts of Music Literature
  • Language: en
  • Pages: 1186

RILM Abstracts of Music Literature

  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

A comprehensive, ongoing guide to publications on music from all over the world, with abstracts written in English. All scholarly works are included: articles, books, bibliographies, catalogues, dissertations, Festschriften, films and videos, iconographies, critical commentaries to complete works, ethnographic recordings, conference proceedings, electronic resources, and reviews.