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School of Music Programs
  • Language: en
  • Pages: 1012

School of Music Programs

  • Type: Book
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  • Published: 2000
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  • Publisher: Unknown

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Percussion Pedagogy
  • Language: en
  • Pages: 497

Percussion Pedagogy

In Percussion Pedagogy, author Michael Udow offers a practical guide for students interested in teaching percussion as well as improving their technique. Udow first introduces the bouncing ball system, a technical analogy that teaches students to resist the effects of inertia. Throughout the book, the bouncing ball analogy develops into a core performance principle based on integrated motions resulting in refined tone quality and meaningful musicianship. The book applies this principle to several instruments including snare drum, timpani, marimba, vibraphone, multiple-percussion, tambourine and triangle, bass drum, cymbals, tam-tams, and a variety of Western concert and world percussion repe...

The Late-life Reflections of a Retired Professor on Just about Everything in the World
  • Language: en
  • Pages: 192

The Late-life Reflections of a Retired Professor on Just about Everything in the World

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

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Artful Noise
  • Language: en
  • Pages: 341

Artful Noise

Twentieth-century composers created thousands of original works for solo percussion and percussion ensemble. Concise and ideal for the classroom, Artful Noise offers an essential and much-needed survey of this unique literature. Percussionist Thomas Siwe organizes and analyzes the groundbreaking musical literature that arose during the twentieth century. Focusing on innovations in style and the evolution of the percussion ensemble, Siwe offers a historical overview that connects the music to scoring techniques, new instrumentation and evolving technologies as well as world events. Discussions of representative pieces by seminal composers examines the resources a work requires, its construction, and how it relates to other styles that developed during the same period. In addition, Siwe details the form and purpose of many of the compositions while providing background information on noteworthy artists. Each chapter is supported with musical examples and concludes with a short list of related works specifically designed to steer musicians and instructors alike toward profitable explorations of composers, styles, and eras.

Percussive Notes
  • Language: en
  • Pages: 240

Percussive Notes

  • Type: Book
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  • Published: 1981
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  • Publisher: Unknown

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The Music of American Composer Lejaren Hiller and an Examination of His Early Works Involving Technology
  • Language: en
  • Pages: 366

The Music of American Composer Lejaren Hiller and an Examination of His Early Works Involving Technology

As founder of the Experimental Music Studio at the U. of Illinois in 1958, American composer Lejaren Hiller was a pioneer in the area of computer assisted music composition. In this study, Bohn provides detailed analyses of several of Hiller's most important works, including the ILLIAC Suite and the Computer Cantata . Other topics include (for exam

Gesture for solo percussionist
  • Language: en
  • Pages: 3

Gesture for solo percussionist

  • Type: Book
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  • Published: 1969
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  • Publisher: Unknown

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ILWC Journal
  • Language: en
  • Pages: 168

ILWC Journal

  • Type: Book
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  • Published: 1994
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  • Publisher: Unknown

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The Music of Ben Johnston
  • Language: en
  • Pages: 226

The Music of Ben Johnston

Ben Johnston is an American composer internationally known for his work with extended just intonation. This is a critical-analytical study of his early compositions, his studies with Harry Partch and John Cage, and his experiments with just intonation, serialism, indeterminacy, jazz, and finally, extended just intonation. Pieces are analyzed and biographical material is included. The main emphasis of the text, however, is on examining Johnston's research about tuning and scalar theory as it relates to just intonation. For a long time Johnston worked in isolation; few people understood why someone would want to change the standard pitch system. But gradually, as his music began to be heard, e...

Contemporary American Composers
  • Language: en
  • Pages: 606

Contemporary American Composers

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