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An authoritative volume representing the vast oeuvre of one of the twentieth century’s most brilliant and visionary poets. Widely regarded as some of the most important and innovative poetry from postwar Europe, Tomaž Šalamun’s work offers a singularly thrilling reading experience. Sharp and subtle, Šalamun’s rhythms intertwine with an incantatory force; his prescient, liberatory politics and poetics pulse like a heartbeat. In Kiss the Eyes of Peace, the histories of Slovenia, the former Yugoslavia, and Europe are broken into kaleidoscopic harmonies of terror and joy: friends and family talk to each other under the sun as snow, apples, and deer mingle with blood and bones, with salt...
How has the process of globalization shaped artistic practices on the one hand, and art history and theory on the other? The contributions in this volume approach this question from a range of perspectives, taking into account the role of travel, for example, or practitioners’ increasing knowledge of other cultures, art’s increasing awareness of itself as existing on a global level, literary translation, the advance of technology, and the ever-changing grand narratives of art history. As well as reflections on European avant-gardes and neo-avant-gardes, the collection features discussions of Japan, Latin America, Africa, Asia and the Pacific. As a whole, the volume engages with broader current discourses about cultural globalization, and features input from leading scholars around the world as well as some important novel interventions by early-career researchers. The authors not only make a major contribution to the evolution of avant-garde studies, but also offer valuable, original points of view to art history and to the cultural theory of globalization more broadly.
"""Wow! It might be Non-salamuns may not enjoy as much as I did, but for our tribe--- I went through different stages: shock, amazement, I was pale, laughter - a lot -, awe, guilt, aphssss!, even my mind wanted to take off for a moment, but mostly gratitude, I was moved; I am moved.""- Tomaz SalamunIn the first episode of Monty Python?s Flying Circus, near the end of the sketch, ?The Funniest Joke in the World? (which chronicles the exploits of ?the killer joke?), Eric Idle soberly announces, ?In 1945, Peace broke out. It was the end of the Joke. Joke warfare was banned at a special session of the Geneva Convention.? John Bradley similarly investigates the inside-out of things in his explosi...
Comes back to remind us of the laws and experiences of childhood-""Once again you are let loose in the sea""only after five o'clock in the afternoon to take""a dose of sunlight like the ticking of the clock." At once daring and clear-voiced, The Book for My Brother is an extraordinary achievement.
The work of this “eminent, still-wild spirit of Central Europe” (Publishers Weekly) continues to electrify. In The Blue Tower, language is remade with tenderness and abandon: “Rommel was kissing heaven’s dainty hands and yet / from his airplane above the Sahara my uncle / Rafko Perhauc still blew him to bits.” There is an effervescence and a sense of freedom to Tomaž Salamun’s poetry that has made him an inspiration to successive generations of American poets, “a poetic bridge between old European roots and the American adventure” (Associated Press). Trivial and monumental, beautiful and grotesque, healing, ferocious, mad: The Blue Tower is an essential volume.
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