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The Original Knickerbocker
Washington Irving-author, ambassador, and Manhattanite-has largely slipped from America's memory, and yet, his creations are well known. Acclaimed historian Andrew Burstein returns Irving to the context of his native nineteenth century where he was an international celebrity-both a comic genius and the first American to earn his living as an author. Irving traveled through Europe and America, excavating tales and writing popular social satire, beloved children's stories, gothic drama, and picturesque history. He gave his young nation such enduring tales as The Legend of Sleepy Hollow and Rip Van Winkle. His 1809 burlesque, A History of New York, popularized the figure of jolly old St. Nicholas, and gave birth to the modern American Christmas. Irving was the original "Knickerbocker"; he also coined "Gotham" as the name for New York. By showing Irving as a leading architect of the American personality Burstein has managed to reinvigorate the legacy of one our nation's most outsized literary talents as well as to help us better understand the country we live in.
Irving's Dialogism in the Alhambra
Cross-culture and/or multiculturalism have become catchwords and phrases in certain studies within academia, but they have mostly become battle grounds for contestation and convergence with contestation of identity, cultural authenticity and/or supremacy and hegemony. Yet, over and above all these skirmishes, convergence tends to win the day as it struggles for a cosmopolitan culture and polity, albeit very difficult to achieve. The present work follows the same line of thought by trying to bring a new perspective into what it calls cultural dialogism inherent in the corpus of texts borrowed from The Alhambra by W. Irving. The texts selected display a dual characteristic: the first is addres...
Monographic Series
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Nineteenth Century Literature Criticism
Presents literary criticism on the works of nineteenth-century writers of all genres, nations, and cultures. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, diaries, broadsheets, pamphlets, and scholarly papers. Criticism includes early views from the author's lifetime as well as later views, including extensive collections of contemporary analysis.
African American Environmental Thought
Examines the works of Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, and several other canonical figures, to uncover a rich and vital tradition of black environmental thought from the abolition movement through the Harlem Renaissance. Provides the first careful linkage of the early conservation movement to black history, the first detailed description of black agrarianism, and the first analysis of scientific racism as an environmental theory.
