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Religious Festivals in Greek Art
Although ancient Greek festivals are well understood on the basis of textual evidence, there is no up-to-date or sustained treatment of these dynamic, multi-day events in relation to ancient art. The current book examines the way ancient Greek festivals have been treated in scholarly research overtime as well as how festivals have been understood within the larger scope of ancient religion. By way of introduction, the ancient Greek terminology related to festivals - from their names to their component parts - is outlined, as are the key iconographic elements and descriptive vocabulary used to convey such complex subject matter on the surface of a vase or votive relief, in a large-scale sculpture, or in miniature on a gem. Of particular importance is the problem of identifying a festival or related activity (as opposed to private or domestic religion), and then of matching the iconography with a known, named occasion from antiquity (e.g. Anthesteria, Panathenaia, Thargelia). Readers will better understand the significance, complexity, and place of religious festivals in ancient Greek visual culture.
A Companion to Greek Art
A comprehensive, authoritative account of the development Greek Art through the 1st millennium BC. An invaluable resource for scholars dealing with the art, material culture and history of the post-classical world Includes voices from such diverse fields as art history, classical studies, and archaeology and offers a diversity of views to the topic Features an innovative group of chapters dealing with the reception of Greek art from the Middle Ages to the present Includes chapters on Chronology and Topography, as well as Workshops and Technology Includes four major sections: Forms, Times and Places; Contacts and Colonies; Images and Meanings; Greek Art: Ancient to Antique
Ancient Near Eastern Iconography and the Bible
Describes the methods developed by Othmar Keel for bringing images and their interpretations into a dialogue with texts from the ancient Orient and their interpretation.
Religion in the Art of Archaic and Classical Greece
"An examination of the combined subjects of ancient Greek art and religion, dealing with festivals, performance, rites of passage, and the archaeology of death, to name a few examples, to explore the visual, material, and textual dimensions of ancient Greek religion"--
"The Poor, the Crippled, the Blind, and the Lame"
The New Testament gospels feature numerous social exchanges between Jesus and people with various physical and sensory disabilities. Despite this, traditional biblical scholarship has not seen these people as agents in their own right but existing only to highlight the actions of Jesus as a miracle worker. In this study, Louise A. Gosbell uses disability as a lens through which to explore a number of these passages anew. Using the cultural model of disability as the theoretical basis, she explores the way that the gospel writers, as with other writers of the ancient world, used the language of disability as a means of understanding, organising, and interpreting the experiences of humanity. Her investigation highlights the ways in which the gospel writers reinforce and reflect, as well as subvert, culturally-driven constructions of disability in the ancient world.
Technology, Crafting and Artisanal Networks in the Greek and Roman World
This volume aims to merge theoretical models with methodological approaches on ceramic technology and artisanal networks in the Classical world. This convergence of analytical frameworks allowed scholars to explore some traditional archaeological topics that usually have a very low-level of visibility, such as the skillful gestures of the craftspeople involved, the organization of the ceramic production, the dynamics of apprenticeship and knowledge transfer as well as intra and inter-regional artisanal mobility, in the Graeco-Roman ‘communities of practice’. The papers promote interdisciplinary dialogues among various fields of study, such as archaeology, archaeometry, anthropology, ethnoarchaeology, experimental archaeology, and digital humanities - such as Social Network Analysis, computational imaging, and big data analysis.
Anglo-Saxon England: Volume 37
Anglo-Saxon England is the only publication which consistently embraces all the main aspects of study of Anglo-Saxon history and culture - linguistic, literary, textual, palaeographic, religious, intellectual, historical, archaeological and artistic - and which promotes the more unusual interests - in music or medicine or education, for example. Articles in volume 37 include: Record of the thirteenth conference of the International Society of Anglo-Saxonists at the Institute of English Studies, University of London, 30 July to 4 August 2007; The virtues of rhetoric: Alcuin's Disputatio de rhetorica et de uirtutibus; King Edgar's charter for Pershore (972); Lost voices from Anglo-Saxon Lichfield; The Old English Promissio Regis; 'lfric, the Vikings, and an anonymous preacher in Cambridge, Corpus Christi College (162); Re-evaluating base-metal artifacts: an inscribed lead strap-end from Crewkerne, Somerset; Anglo-Saxon and related entries in the Oxford Dictionary of National Biography (2004); Bibliography for 2007.
