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Inspired by Nick Katsoris’ children’s book series about a fluffy little lamb named Loukoumi, The Loukoumi Make A Difference Foundation teaches children to make a difference in their lives and the lives of others, uniting over 100,000 children annually to do good deeds. Come From Away is the award-winning musical about how during the week of 9/11, 7,000 stranded airline passengers found a safe harbor in Newfoundland, and were embraced by the people of Gander, while the world around them was thrown into chaos. Together The Loukoumi Foundation and Come From Away have partnered to share their joint message of kindness through the stories of 75 children, who are having fun paying it forward for causes that mean something to them. Get ready to be inspired by these extraordinary kids who are changing the world one good deed at a time, and join us in making a difference!
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
This book profiles forty major league ballplayers who engineered remarkable comebacks to salvage fading careers. Details of each comeback is provided along with a summary of the player's career. The comeback players range from Hall of Famers like Ted Williams and Stan Musial; to near-greats like Tommy John and Luis Tiant; to journeyman performers like George McQuinn and Tony Cuccinello. In the absence of statistical standards to evaluate or even define comebacks, the selection of the top comeback players was based on the following criteria: historical significance, uniqueness, dramatic content, degree of difficulty, and the player's overall reputation and standing.
"In 1970, photography curator Peter C. Bunnell organized the exhibition Photography into Sculpture for the Museum of Modern Art in New York, bringing together twenty-three photographers and artists from across the United States as well as Vancouver, British Columbia, whose work challenged accepted practices and categories. The Photographic Object 1970 serves as an exhibition catalogue after the fact, an oral history, and critical reading of exhibitions and experimental photography during the 1960s and 70s. It proposes precedents for contemporary artists who continue to blur the boundaries between photography and other art mediums."--Provided by publisher.
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Documented here is Los Angeles-based artist Ruby Osorio's creation A Story of a Girl (Who Awakes Far, Far Away)--an enchanting magical environment based on her unique drawings and works on paper. This series of gouache paintings incorporates thread and ink and presents this young artist's exploration into female identity and more tellingly, the construction of that identity through what is becoming a hallmark of her hand--whimsy with a punch. In this new series of painterly drawings, Osorio pushes the range of her work in scale, medium and content; thus transforming the gallery into a delicate room that presents a "feminine aesthetic" through the use of cartoon-like drawings of women, girls, animals, objects and natural landscapes (some directly on the wall) that grow from tiny thumbnail sketches to large mural-sized narratives. The images within and the design of this book and the limited edition reference the delicacy and preciousness of Osorio's hand and concepts.
" ... a multi-media group exhibition of artists from China who use playful, humorous, ritualistic imagery, as if they were engaging in an absurdist, leisurely 'recreation' that focuses on their interior lives and keeps the external world at an arm's length. They also have as a common theme the 're-creation' of settings, events, situations, as if trying to recover scenes from cultural amnesia, in reaction to the rapidly changing political, economic, and environmental landscapes in China"--P. [4] of cover.