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Inside/out
  • Language: en
  • Pages: 224

Inside/out

  • Categories: Art

The late twentieth century has been marked by momentous political, economic, and social change throughout the Chinese world. Deeply rooted cultural assumptions and ancient visual traditions have been challenged by rapid modernization and conflicting global, ethnic, and local identities. Inside/Out: New Chinese Art was the first major international exhibition to explore the impact of these challenges on artists in the People's Republic of China, Hong Kong, Taiwan, and those of the 1980s Diaspora. The multifaceted exhibition and accompanying catalog encompass an extensive range of artistic forms, including installation, video, and performance art as well as more traditional media such as oils ...

Art in China
  • Language: en
  • Pages: 260

Art in China

  • Categories: Art

China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast 'terracotta army' with its 7,000or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, 'Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highlyprized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of th...

China—Art—Modernity
  • Language: en
  • Pages: 257

China—Art—Modernity

  • Categories: Art

China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself ...

Chinese Art & Culture
  • Language: en
  • Pages: 456

Chinese Art & Culture

An illustrated chronicle of Chinese art from the late Neolithic period through the twentieth century, which discusses artistic reflections of politics, material culture, belief systems, and more, and includes over one hundred color plates, eight maps, and a time line.

Chinese Art
  • Language: en
  • Pages: 300

Chinese Art

  • Categories: Art

With over 630 striking color photos and illustrations, this Chinese art guide focuses on the rich tapestry of symbolism which makes up the basis of traditional Chinese art. Chinese Art: A Guide to Motifs and Visual Imagery includes detailed commentary and historical background information for the images that continuously reappear in the arts of China, including specific plants and animals, religious beings, mortals and inanimate objects. The book thoroughly illuminates the origins, common usages and diverse applications of popular Chinese symbols in a tone that is both engaging and authoritative. Chinese Art: A Guide to Motifs and Visual Imagery is an essential reference for collectors, museum-goers, guides, students and anyone else with a serious interest in the culture and history of China.

Chinese Art in the Twentieth Century
  • Language: en
  • Pages: 297

Chinese Art in the Twentieth Century

  • Categories: Art

Michael Sullivan's Chinese Art in the Twentieth Century offers a profound and nuanced exploration of modern Chinese art’s evolution amidst the complex interplay of Eastern traditions and Western influences. Addressing an academic audience, Sullivan contextualizes Chinese art's transition as one of the most significant artistic shifts in modern history, where traditional Chinese aesthetics encounter Western art forms, reshaping China’s cultural landscape. Unlike Western art, which evolved largely from within, Chinese art’s modern transformation reflects a dual identity, balancing indigenous techniques with foreign influences, and tackling themes of modernization and political ideology. ...

The Art of Modern China
  • Language: en
  • Pages: 383

The Art of Modern China

  • Categories: Art

“The Art of Modern China is a long-awaited, much-needed survey. The authors’ combined experience in this field is exceptional. In addition to presenting key arguments for students and arts professionals, Andrews and Shen enliven modern Chinese art for all readers. The Art of Modern China gives just treatment to an expanded field of overlooked artworks that confront the challenges of modernization.”—De-nin Deanna Lee, author of The Night Banquet: A Chinese Scroll through Time.

A Short History of Chinese Art
  • Language: en
  • Pages: 384

A Short History of Chinese Art

  • Categories: Art

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Chinese Art
  • Language: en
  • Pages: 483

Chinese Art

  • Categories: Art

Dealing not only with architecture, sculpture, and painting, but also with bronze and ceramics, this text offers a complete panorama of Chinese arts and civilisation. In his text, the author Bushell stresses the importance of knowing the society to understand the arts.

Negotiating Difference
  • Language: en
  • Pages: 375

Negotiating Difference

  • Categories: Art

Contemporary Chinese art is still a young field now being opened up to critical academic research. Negotiating Difference is a pioneering collection of articles which engage with contemporary Chinese art in a global context. The contributions collectively address the urgent methodological question of how to describe, contextualize and theorize artworks and artistic processes in and beyond the People's Republic of China since the end of the Cultural Revolution. The studies break new ground as they chalk out the transcultural entanglements of which art and its practices partake and which they in turn reconfigure. The book features 20 essays written by a select group of international junior and senior scholars engaged in ambitious and methodologically innovative research on contemporary Chinese art. Their multi-faceted, in part interdisciplinary approaches are complemented by four contributions by distinguished practitioners in the field, who - as art curators and critics - are located in China and explore key developments within Chinese art and the changing art scene of the last three decades.