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Culture and the City
This edited collection will examine the way in which cities are imagined, experienced and shaped by those who reside within them, those who manage or govern them, and those who, as visitor, tourist or traveller, pass through them. Attention will be paid to the influence that these various inhabitants have on city life and living and the dialectic that exists between their sometimes collective and sometimes divergent, perceptions and uses of city space. In conjunction with this, the collection will explore the ways in which local culture and cultural policy are used by public and private interests as the framework for changing the image and amenity of the city in order to raise its profile an...
Museums Inside Out
An ambitious study of what it means to be a museum in the twenty-first century In Museums Inside Out, Mark W. Rectanus investigates how museums are blurring the boundaries between their gallery walls and public spaces. He examines how artists are challenging and changing museums, taking readers deep into new experiments in exhibition making. Along the way, Rectanus offers insights about how museums currently exemplify the fusion of the creative and digital economies. Exploring contemporary museum practices, initiatives, and collaborations, Rectanus analyzes projects like the Collective Museum, which foster land-based museum ecologies by co-curating with local communities. The Schirn Kunsthal...
Contemporary Chinese Art
In the early 1990s artist Xu Bing stamped two pigs with respectively nonsensical Latin words and fake Chinese characters and allowed them to mate in an art gallery. The performance of ‘two creatures, devoid of human consciousness, yet carrying on their bodies the marks of human civilization’, engaging in the ‘most primal form of social intercourse’ confronted the public with the tension between nature and civilization. The work also addresses the tension between China and the West and therefore perfectly fits the core message of this book. Contemporary art in China takes place in a post-socialist (post-Mao) context, and at the same time a post-traditional one, searching for balance b...
China in the Frame
Mechanisms of representation of the cultural Other and their connections with processes of self-expression constitute the core of China in the Frame. This original ethnographic study of Chinese-themed displays of artworks in a selection of permanent and temporary exhibitions in Italy highlights specific forms of the materialisation of ideas of cultural identities. The Other represented by these displays is China, the identity of which is nowadays perceived by a wider western public, if not unambiguously, at least more closely, thanks to faster and intensified means of communication and interaction. The representing counterpart is Italy, the identity of which, far from being firmly univocal, ...
Biennials, Triennials, and Documenta
This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art
I Swear I Use No Art at All
This book displays and dissects the career and design motives of graphic designer Joost Grootens. In a systematic fashion it charts the first 100 books designed by Grootens over the past ten years. In the first chapter, '10 years', Grootens uses timelines, lists and graphs to map the course of his career as a designer, the people he worked with and the places where the work took place. In '100 books', the designer dissects his book designs. He details the grids, formats, paper stocks, colours and typefaces, and charts the books' structures and compositions. '18,788 pages' shows at actual size a selection of spreads from books designed by Grootens, including the internationally acclaimed atlases. In the text 'I swear I use no art at all' Joost Grootens gives a personal account of making books and the ideas behind his designs.
Yishu
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オルタナティヴス
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Art and AsiaPacific
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