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Spectatorship and Film Theory
This book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinct from spectatorship but rather as an integral aspect of the spectator’s gaze. Combining Jacques Rancière’s emancipated spectator with Judith Butler’s queer theory of subjectivity, Spectatorship and Film Theory foregrounds the contingent, embodied and dialogic aspects of our experience of film. Erratic and always a step beyond the grasp of disciplinary discourse, this singular work rejects the notion of the spectator as a fixed position, and instead presents it as a field of tensions—a “wayward” history of encounters.
The Essentialist Villain
Since his first publications in the late 1950s, Leo Bersani's work has influenced numerous scholarly fields, from studies of French modernism and realist fiction to psychoanalytic criticism and film theory. It has occasionally helped precipitate the emergence of new disciplinary fields, such as queer theory in the late 1980s. The Essentialist Villain is the first book-length study of this impressively rich oeuvre. Mikko Tuhkanen tracks the unfolding of Bersani's onto-ethics/aesthetics, paying particular attention to his persistent references to "essence," a concept central to classical speculative philosophy, which has fallen into distinct disfavor since the emergence of deconstructive thought. Because of his early influences—particularly Gilles Deleuze's philosophy—Bersani remains an ontologist through decades when deconstruction seems to have all but disallowed any thought of being. Tuhkanen also locates Bersani's thought amidst numerous literary, artistic, and philosophical interlocutors, including Deleuze, Freud, Proust, Laplanche, Beckett, Baudelaire, Genet, Leibniz, and others.
Leo Bersani
Examines the importance of Leo Bersanis work for queer theory, psychoanalysis, literary criticism and theory, cultural studies, and film studies. For more than fifty years, Leo Bersanis writing has inspired and challenged scholars in the fields of literary criticism and theory, cultural studies, queer theory, psychoanalysis, and film and visual studies. This is the first book-length collection on this important author. The books extensive introduction outlines in detail Bersanis oeuvre, particularly its place in queer thought and his complicated relationships with the fields of queer theory and psychoanalysis. The subsequent contributions by notable scholars in various fields demonst...
Deleuze and Queer Theory
The field of 'queer theory' has long been dominated by the work of Judith Butler and the focus on performativity. This collection of work proposes a major paradigm shift in debates on sexuality.
The Erotics of Passage
A complete account of the fiction, films and media work of Marguerite Duras since the film Le camion (1977). Williams pursues a variety of theoretical approaches - psychoanalytic, comparative, rhetorical, intertextual – emphasizing in each case the formal pleasures of Duras’s work.
Notes in Time
Artwork by Leon Golub, Nancy Spero. Edited by Maurice Berger. Text by Jo Anna Isaak.
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