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Three Women of Herat
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Three Women of Herat
In the years before the communist coup and the Soviet invasion of Afghanistan, Veronica Doubleday set up home in the ancient city of Herat with her husband, who was researching Central Asian music. At first, her only glimpses of women were as shadows--faceless and voiceless. Gradually, however, she formed friendships with three young mothers who welcomed her into their lives, taught her their customs and music and shared the details of their everyday existence. She witnessed their most personal moments: the births and deaths of their children, their marriages and celebrations, religious holidays, healings, and rituals. After the Soviet invasion in 1979, she lost touch with her friends, but returned to Herat recently, adding another chapter to this poignant story.
Three Women of Herat
In 1973, the Afghans still had a King who ruled from a palace in Kabul with his own resident court of musicians when Veronica set up home in Herat. This Afghan city sat close to the Persian frontier and was fully cognizant of its glorious history as the capital of a once vast Central Asian Empire. Veronica was not a casual traveler but a young musician married to a scholar. She was determined to make use of her time in Afghanistan and break out of the charmed circle of the expatriate academic and make real friendships with local women. The tentative story, the growth in these very different friendships, takes the reader into a rare, deep, and privileged insight into the hidden world of Afgha...
Ethnomusicology
Ethnomusicology: A Contemporary Reader is designed to supplement a textbook for an introductory course in ethnomusicology. It offers a cross section of the best new writing in the field from the last 15-20 years. Many instructors supplement textbook readings and listening assignments with scholarly articles that provide more in-depth information on geographic regions and topics and introduce issues that can facilitate class or small group discussion. These sources serve other purposes as well: they exemplify research technique and format and serve as models for the use of academic language, and collectively they can also illustrate the range of ethnographic method and analytical style in the discipline of ethnomusicology. Ethnomusicology: A Contemporary Reader serves as a basic introduction to the best writing in the field for students, professors, and music professionals. It is perfect for both introductory and upper level courses in world music.
Women Singers in Global Contexts
Exploring and celebrating individual lives in diverse situations, Women Singers in Global Contexts is a new departure in the study of women's worldwide music-making. Ten unique women constitute the heart of this volume: each one has engaged her singing voice as a central element in her life, experiencing various opportunities, tensions, and choices through her vocality. These biographical and poetic narratives demonstrate how the act of vocalizing embodies dynamics of representation, power, agency, activism, and risk-taking. Engaging with performance practice, politics, and constructions of gender through vocality and vocal aesthetics, this collection offers valuable insights into the experiences of specific women singers in a range of sociocultural contexts. Contributors trace themes and threads that include childhood, families, motherhood, migration, fame, training, transmission, technology, and the interface of private lives and public identities.
Chasing Tales
Chasing Tales is the first exclusive study of journalism, travel writing and the history of British ideas about Afghanistan. It offers a timely investigation of the notional Afghanistan(s) that have prevailed in the popular British imagination. Casting its net deep into the nineteenth century, the study investigates the country's mythologisation by scrutinising travel narratives, literary fiction and British news media coverage of the recent conflict in Afghanistan. This highly topical book explores the legacy of nineteenth-century paranoias and prejudices to contemporary travellers and journalists and seeks to explain why Afghans continue to be depicted as medieval, murderous, warlike and u...
Songs from Kabul
This book presents the vocal art music of Kabul as performed by Ustad Amir Mohammad. At the heart of Kabul's vocal art music is the ghazal, a highly flexible song form using Persian (or Pashto) texts derived from a variety of sources. Central to the book is the audio CD, containing six ghazals, one mosammat and one Afghan-style tarâna, all recorded by John Baily between 1974 and 1976 in the city of Herat, in western Afghanistan.
Musics Lost and Found
This ground-breaking book is the first-ever study of the role played in musical history by song collectors.This is the first-ever book about song collectors, music''s unsung heroes. They include the Armenian priest who sacrificed his life to preserve the folk music which the Turks were trying to erase in the 1915 Genocide; the prisoner in a Nazi concentration camp who secretly noted down the songs of doomed Jewish inmates; the British singer who went veiled into Afghanistan to learn, record and perform the music the Taliban wanted to silence. Some collectors have been fired by political idealism - Bartok championing Hungarian peasant music, the Lomaxes bringing the blues out of Mississippi p...
Gender in Chinese Music
Gender in Chinese Music draws together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how music is implicated in changing notions of masculinity, femininity, and genders "in between" in Chinese culture.
The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
