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Departing the Polis
This is the first study of travel, or mobility, and the ancient Greek theatre. The essays collected here, by leading figures in the field of ancient drama, examine both historical travel (the actual mobility of audiences and performers who attended the dramatic contests) and the character of the traveller as it is imagined in the surviving texts and fragments of Greek tragedy, satyr play and comedy. This subject has relevance for two major areas of study: the historical context of theatrical performance and the performances themselves, most particularly the use or creation of dramatic space. And yet this volume also breaks new ground: we build on recent research that has emphasised the Panhellenic aspects of the context of Greek drama and, furthermore, show how this interconnected world is reflected in the plays themselves. In the process we argue that the postmodern ‘spatial turn’, as it has manifested in scholarship on ancient drama, has missed, almost completely, the key importance of movement within that space. This book reinserts travellers back into ancient dramatic space, as they move on distant journeys beyond the polis.
Greek Tragedy After the Fifth Century
What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.
Fragmentation in Ancient Greek Drama
This volume examines whether dramatic fragments should be approached as parts of a greater whole or as self-contained entities. It comprises contributions by a broad spectrum of international scholars: by young researchers working on fragmentary drama as well as by well-known experts in this field. The volume explores another kind of fragmentation that seems already to have been embraced by the ancient dramatists: quotations extracted from their context and immersed in a new whole, in which they work both as cohesive unities and detachable entities. Sections of poetic works circulated in antiquity not only as parts of a whole, but also independently, i.e. as component fractions, rather like quotations on facebook today. Fragmentation can thus be seen operating on the level of dissociation, but also on the level of cohesion. The volume investigates interpretive possibilities, quotation contexts, production and reception stages of fragmentary texts, looking into the ways dramatic fragments can either increase the depth of fragmentation or strengthen the intensity of cohesion.
Poetics and Religion in Pindar
This book delves into the intricate and, as argued, essential relationship between poetics and religion in Pindar. It explores how performance, cult, and religious attitudes intersect, offering readers a nuanced approach to Pindaric poetry concerning the relationship between mortals and the divine. Marinis approaches the world of Pindaric poetry within its historical context, enabling readers to explore the cultural and religious foundations of Pindar’s lyric verse. The chapters examine both epinician poetry and cultic songs, the two major genres of the Pindaric corpus. This monograph focuses on the interconnectedness of poetics and religion, a central question that is essential for unders...
Refiguring Tragedy
This book brings together case studies delving into different, unstudied aspects of the Nachleben of selected lost tragedies either in their once extant form or in their fragmentary state in later periods of time. It seeks to explore the ways in which the plays in question were reworked, discussed, represented or reperformed within varying frameworks. Notably enough, research on the reception of tragic fragments could yield insight not only into the receiving work, but also into the facets of the source text that have attracted attention in its subsequent refigurations. It could thus shed light on the ideological and cultural routes through which these fragmentary tragedies were received by the poet, the scholar, the artist, the viewer, the reader and the spectator in each case. The complex process of the refiguration of a fragmentarily preserved play within different contexts could form a yardstick of its cultural power and elucidate the dynamics of fragmentation in modern times. Τhe volume is of particular interest to scholars in the fields of classics, reception, cultural and performance studies, as well as to readers fascinated by Greek tragedy and its vibrant afterlife.
A Cultural History of Tragedy in Antiquity
In this volume, tragedy in antiquity is examined synoptically, from its misty origins in archaic Greece, through its central position in the civic life of ancient Athens and its performances across the Greek-speaking world, to its new and very different instantiations in Republican and Imperial Roman contexts. Lively, original essays by eminent scholars trace the shifting dramatic forms, performance environments, and social meanings of tragedy as it was repeatedly reinvented. Tragedy was consistently seen as the most serious of all dramatic genres; these essays trace a sequence of different visions of what the most serious kind of dramatic story might be, and the most appropriate ways of telling those stories on stage. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual, and myth; politics of city and nation; society and family, and gender and sexuality.
The Oxford Handbook of Papyrology
Thousands of documentary and literary texts written on papyri and potsherds, in Egyptian, Greek, Latin, Aramaic, Hebrew, and Persian, have transformed our knowledge of many aspects of life in the ancient Mediterranean and Near Eastern worlds. Here experts provide a comprehensive guide to understanding this ancient documentary evidence.
Ancient Worlds in Digital Culture
The volume presents a selection of research projects in Digital Humanities applied to the “Biblical Studies” in the widest sense and context, including Early Jewish and Christian studies, hence the title “Ancient Worlds”. Taken as a whole, the volume explores the emergent Digital Culture at the beginning of the 21st century. It also offers many examples which attest to a change of paradigm in the textual scholarship of “Ancient Worlds”: categories are reshaped; textuality is (re-) investigated according to its relationships with orality and visualization; methods, approaches and practices are no longer a fixed conglomeration but are mobilized according to their contexts and newly available digital tools.
The Petra Papyri
What is called the Petra archive or Petra papyri is a group of ca. 140 carbonized papyrus rolls found in 1993 in a room adjacent to the main Byzantine church of Petra. The documents date from the 6th century. They are private papers of a well-to-do local family, mainly financial documents concerning marriage, inheritance, sales, loans and disputes, but also documents connected with taxation. The documents are written in Greek. The Petra Papyri are one of the most important finds of ancient documentary texts ever made outside of Egypt.
