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A story once told in whispers, now frankly, honestly written. The Classic 1952 lesbian paperback – Over 1.5 million sold! Her silky black hair. Her low–cut gown. Her sparkling sorority pin. It's autumn rush in the Tri Epsilon house, and the new pledge, Susan Mitchell – “Mitch” to her friends – trembles as the fastest girl on campus, the lovely Leda Taylor, crosses the room toward her for a dance. Will Leda corrupt Mitch? Or will the strong and silent Mitch draw the queen of Tri Ep into the forbidden world of Lesbian Love? Spring Fire was the first lesbian paperback novel and sold an amazing 1.5 million copies when it first appeared in 1952. It launched an entire genre of lesbian novels, as well as the writing career of Vin Packer, one of the pseudonyms of prolific author Marijane Meaker, whose acclaimed memoir, Highsmith: A Romance of the 1950s, told the story of her own forbidden love. Now available after forty years out of print, Spring Fire is both a vital part of lesbian history and a steamy page–turner. Includes a new introduction by the author
The book focuses on individuals writing in the '90s, but also includes 12 classic authors (e.g., Mark Twain, Louisa May Alcott, J.R.R. Tolkien) who are still widely read by teens. It also covers some authors known primarily for adult literature (e.g., Stephen King) and some who write mainly for middle readers but are also popular among young adults (e.g., Betsy Byars). An affordable alternative to multivolume publications, this book makes a great collection development tool and resource for author studies. It will also help readers find other books by and about their favorite writers.
Somehow he’d ended up with someone else’s coat . . . and that act could end Robert Bowser’s life before it started. His hand trembled as he answered the phone. ''Mr. Bowser?'' ''Yes.'' ''Mr. Bowser, my name is Harvey Plangman.'' ''Yes, Mr. Plangman. I have your wallet, and jacket, too, I believe.'' ''And I have yours.'' ''Why don’t you drive over here? I could offer you a drink and we could reclaim our things.'' ''Mr. Bowser, were you planning on going to Brazil?'' Was this really how the world ended? ''You don’t have anything to be afraid of, Mr. Bowser.'' ''I’d better come there.'' ''Yes, I think it would be better if you came here. You’ll know who I am all right, Mr. Bowser. I’m wearing your coat . . .
He was sixteen the summer he killed the girl - a brown-haired boy painfully aware of beauty and in search of it. The trouble was, he had a kind of adoration for Jill Latham’s cool beauty and her mysticism. So when she revealed to him her secret and terrible life, it shattered him. It was as if by killing her, he restored his shattered goddess to himself.
On their first night Carrie had been nervous, and Slater had tried to think of some way to make it easier for her, to show her how fine and free it could be. But the moment they’d stepped into the cabin, she had undressed, matter-of-factly, a cigarette dangling from her lips. Her body was white and incredibly lovely, and Slater had felt desire engulf him. He had held her, hungrily, and hardly listed to the one thing she’d said. ''I don’t think I’ll be much good at this.'' She had been so cruelly right. And that, in a way, was what had killed her. That, and a beautiful woman named Jenny.
Joseph Meaker was a shy, dedicated scholar. To his brash wife, Maggie, and her advertising friends, he was a cipher, easily dismissed. But behind his gentle façade he carried the seeds of violence, subtle and understated. Until the day his pet cat was accidentally killed by a neighbor’s car. Joseph’s desire for revenge became an obsession that could only be satisfied by a ''punishment'' so gruesome it makes the skin crawl.
A MURDER BEGINS AND ENDS this story of scandal and tragedy in a college town. You'll meet some memorable characters here - most of them hair-raising - as novelist Vin Packer spins out a sinister excursion with the cool, campy kids of Far Point College, New York. It's a wild, wild joyride - from Thunderbird to Bluebird, from classroom to Cheetah, with stops on the way at rent-by-the-hour motel rooms. You’ll watch in horror as the Pucci-Plantagenet crowd burns up the roads, heading for that sickening, inevitable crash . . . that jolting confrontation with the reality they can’t escape . . . with THE HARE IN MARCH.
Discusses the life and work of the author who wrote young adult novels on topics that, at the time, were considered too risquâe for teenagers.
There were two Charlie Gibsons One rode the 5:45 to Westport and was met at the station by his charming wife who dressed in impeccable tweeds and mixed a wicked martini. He also had a long-legged, lovely daughter whom he admired. He was second in command of a vast publishing house and, what’s more, he got there without being a hatchet man. Everybody had respect for him; almost everybody liked him. That was one side of Charlie Gibson. The unhappy side. One spent every spare minute in the apartment of Marge Mann. She was beautiful and flamboyant and she loved Charlie with passion. It was she who gave him the ideas that took him to the top of the publishing world - although Charlie never realized it. Every minute he spent with her was like being under the influence of a strong drug. He was addicted to Marge and didn’t want to break the habit. That was the other side of Charlie Gibson. The happy side.
A theory-driven study of the invisibility of lesbians in post-WW2 American culture.