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Video Culture in India
Media plays a significant role in reshaping, restructuring, and recalibrating the existing understandings of society and politics, giving birth to new cultural forms. Video, as a medium, captures not only real-time events but also the ethos of a milieu. Video Culture in India: The Analog Era narrates the history of video technology in India since its introduction in the 1980s, locating the moment within the country's socio-political context. It aims to provide a comprehensive understanding of video technology in post-1980s India: one that speaks to its global history and context and fills the lacunae in the existing literature of the field. The monograph draws on diverse oral histories, disc...
Raj Khosla
The 1940s witnessed the scripting of an origin story that would go down in the books. A young man was signed on by Guru Dutt as assistant director after eager assurances of his competency in Hindi, a white lie that was soon unmasked. This was Raj Khosla, an aspiring playback singer, eager to get a foot in the door any which way. In a plot twist he would have approved of, he became instead a filmmaker who made a habit of hits, routinely setting the box office on fire. He made taut thrillers (C.I.D.), family dramas (Do Raaste), timeless romances (Do Badan) and action spectacles (Dostana). Few filmmakers have demonstrated such versatility and command over their craft. He was behind some of Hind...
Amitabh Bachchan, the Legend
First Prize, General Books, English Language Publications, Federation of Indian Publishers (FIP) Awards for Excellence in Publishing, 1998-99. Amitabh Bachchan is not only Indian cinema s biggest phenomenon, but also the actor of the millennium (voted in
Freedom
Growing up in a newly free India, film-maker Arunaraje Patil came to be deeply invested in the idea of freedom - for herself, for those around her and for the society she was growing up in. To be truly independent, though, there was a lot of unlearning and disengaging she had to do: from conversations of the past, from who she knew herself to be and from the image that she had trapped herself in. It was with her fourth film Rihaee (1988) that Patil rediscovered herself and her own creative expression. That movie was a declaration of intent, one that set her on a journey that continues to this day. Freedom: My Story is the chronicle of a radical thinker and film-maker in a male-dominated world, her struggles, her inspirations, the prejudices she had to deal with and, ultimately, the freedom her art offered. This is as much the story of one immensely inspiring life as it is an acute look into a young, changing nation.
Film World
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