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Dance and Silence
  • Language: en
  • Pages: 194

Dance and Silence

A series of conversations with researchers and practitioners that explores the critical dynamics of silence within choreography, performance and composition.

Routledge Companion to Audiences and the Performing Arts
  • Language: en
  • Pages: 776

Routledge Companion to Audiences and the Performing Arts

  • Type: Book
  • -
  • Published: 2022-04-05
  • -
  • Publisher: Routledge

The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and stakeholders involved in educational activities.

Dance, Disability, and the Pluralistic Audience
  • Language: en

Dance, Disability, and the Pluralistic Audience

  • Type: Book
  • -
  • Published: 2020
  • -
  • Publisher: Unknown

None

Routledge Companion to Audiences and the Performing Arts
  • Language: en

Routledge Companion to Audiences and the Performing Arts

  • Type: Book
  • -
  • Published: 2022
  • -
  • Publisher: Unknown

"The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music, and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers, and postgraduates, as well as to theatre, dance, opera, and music practitioners, and performing arts organisations and stakeholders involved in educational activities"--