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The Short Story Anthology and Women's Writing
Hundreds of anthologies of women’s short stories have appeared in the literary market between the 1970s and now. This publishing and cultural phenomenon is considered for the first time in this book, which argues that, during this period, anthologies have become a literary technology used not only to make visible female short story writers, but also to think about, and mould ideas of, womanhood. Through creative and contextualised readings of the most important anthologies produced in this period, this study shows that this literary form has contributed to, and in some cases pioneered, key developments in gender theory and feminist thought, including questions of political combination among women which underlie contemporary global movements such as #MeToo. In doing so, the book also develops the first book-length conceptualisation of the features and meaning-making mechanisms of the short story anthology as a literary form. This book will benefit academics and students working in the fields of short fiction, publishing, and women’s studies, as well as feminist scholars and a growing number of specialists interested in the anthology as a literary form worldwide.
Theology of the Soul
Theology of the Soul engages with a thoroughly theological and philosophical subject in fresh and profound ways: the soul. The author examines the possibility of a concept of the soul in modern, Western theology. In the second part of the 20th century speaking about the soul was strongly criticized in Theology and Philosophy. Consequently, many academic theologians consider the word “soul” problematic. Remarkably, the word “soul” is very much present in contemporary culture. This book takes cultural notions of the soul as employed by, for example, Marilynne Robinson and Oprah Winfrey, as a point of departure. The author then investigates the functions of the soul in classical theolog...
Mixed Media
The feminist press movement transformed the publishing industry, literary culture and educational curricula during the last quarter of the 20th century. This book is both a survey of the movement internationally and a detailed critique of its long-term impact. Feminist presses are described as 'mixed media', always attempting to balance politics with profit-making. Using a series of detailed case studies, Simone Murray highlights the specific debates through which this dilemma plays out: the nature of independence; the politics of race; feminist publishing and the academy; radical writing and publishing practice; and feminism's interface with mainstream publishing.
The Philosophy and Practice of Medicine and Bioethics
This book challenges the unchallenged methods in medicine, such as "evidence-based medicine," which claim to be, but often are not, scientific. It completes medical care by adding the comprehensive humanistic perspectives and philosophy of medicine. No specific or absolute recommendations are given regarding medical treatment, moral approaches, or legal advice. Given rather is discussion about each issue involved and the strongest arguments indicated. Each argument is subject to further critical analysis. This is the same position as with any philosophical, medical or scientific view. The argument that decision-making in medicine is inadequate unless grounded on a philosophy of medicine is n...
Elizabeth von Arnim
In the first book-length treatment of Elizabeth von Arnim's fiction, Isobel Maddison examines her work in its historical and intellectual contexts, demonstrating that von Arnim's fine comic writing and complex and compelling narrative style reward close analysis. Organised chronologically and thematically, Maddison's book is informed by unpublished material from the British and Huntington Libraries, including correspondence between von Arnim, her publishers and prominent contemporaries such as H.G. Wells, Bertrand Russell and her cousin Katherine Mansfield -- whose early modernist prose is seen as indebted to von Arnim's earlier literary influence. Maddison's exploration of the novelist's cr...
The Women's Liberation Movement and the Politics of Class in Britain
This is the first study of the British Women's Liberation Movement's relationship with class politics. It explores the meaning of class to women's liberationists' identities and activism, both nationally and regionally, using a previously neglected feminist cluster in North East England as a case study. Stevenson demonstrates that British feminism was shaped fundamentally by its relationship to, synthesis with, and rejection of class politics. Through these processes, feminists recognised how post-war changes in the economy and gender roles were reshaping class and the Women's Liberation Movement attempted to remake class politics in response. However, socio-economic and cultural class diffe...
Virago Reprints and Modern Classics
Reprinting, republishing and re-covering old books in new clothes is an established publishing practice. How are books that have fallen out of taste and favour resituated by publishers, and recognised by readers, as relevant and timely? This Element outlines three historical textures within British culture of the late 1970s and early 1980s – History, Remembrance and Heritage – that enabled Virago's reprint publishing to become a commercial and cultural success. With detailed archival case studies of the Virago Reprint Library, Testament of Youth and the Virago Modern Classics, it elaborates how reprints were profitable for the publisher and moved Virago's books - and the Virago brand name - from the periphery of culture to the centre. Throughout Virago's reprint publishing - and especially with the Modern Classics - the epistemic revelation that women writers were forgotten and could, therefore, be rediscovered, was repeated, again and again, and made culturally productive through the marketplace.
Virago Press
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Margaret Atwood
Margaret Atwood's versatility as a writer and her use of a variety of novel forms from Gothic romance to science fiction are explored in this comprehensive introductory study of her work. Coral Ann Howells arches over and doubles back between Margaret Atwood's writing from the 1970s to the present day in order to indicate the significant continuities beneath her constant shifts of emphasis. Noted for her strong awareness of her own cultural identity as Canadian and a woman, Atwood's fiction nevertheless challenges the limits of such categories.
Space(s) of the Fantastic
This book provides a series of new addresses to the enduring problem of how to categorize the Fantastic. The approach taken is through the lens of spatiality; the Fantastic gives us new worlds, although of course these are refractions of worlds already in being. In place of ‘real’ spaces (whatever they might be), the Fantastic gives us imaginary spaces, although within those spaces historical and cultural conflicts are played out, albeit in forms that stretch our understanding of everyday location, and our usual interpretations of cause and effect. Many authors are addressed here, from a variety of different geographical and national traditions, thus demonstrating how the Fantastic - as a mode, a genre, a way of thinking, imagining and writing - continually traverses borders and boundaries. We hope to move the ongoing debate about the Fantastic forward in a scholarly as well as an engaging way.
