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The European Qurʾān
What role does the Holy Scripture of Islam, the Qurʾān, play in the history of European thought? How has it been read and understood in Europe since the first translations in the Middle Ages? The Qurʾān and Islam are traditionally seen as an antithesis to Europe’s self-narrative of cultural achievements: the Enlightenment, secularization, and religious tolerance. Some claim that Islam in general and the Qurʾān in particular are alien to Europe’s culture and political institutions. This publication endeavours to counter this popular belief and to tell a different story by documenting the role the Qurʾān has played in the formation of culture, religion, scholarship, and politics in Europe. Look inside Exhibition Weltmuseum Wien September 18, 2024 to August 24, 2025
Panoramic and Immersive Media Studies Yearbook
The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC, Switzerland). It surveys the historical and contemporary landscape of panoramic and immersive media. This interdisciplinary field includes—but is not limited to—360-degree paintings; dioramas and museum displays; gaming; gardens; immersive experience; maps; material culture studies; media archeology; nineteenth-century popular media; optical and haptic devices; performative media; printed matter; public history; and virtual and augmented reality. Whereas the notion of the panoramic describes extensive, expansive and/or all-embracing vistas, immersion refers to porous interfaces between representation and...
Panoramic and Immersive Media Studies Yearbook
The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC, Switzerland). It surveys the historical and contemporary landscape of panoramic and immersive media. Whereas the notion of the panoramic describes extensive, expansive and/or all-embracing vistas, immersion refers to porous interfaces between representation and the real, observer and observed, nature and culture, and past, present, and future. Together, the concepts of panorama and immersion have catalyzed time- and space-bending strategies for creating, experiencing, and transforming culture, ideas, and built and social space across the arc of human history. The PIMS Yearbook presents a range of disciplinar...
Zwischen „Südsee“ und „Sea of Islands“
Die zehnte Ausgabe der Novara beschäftigt sich mit Beispielen von Selbst- und Fremdbildern der Region Ozeanien. Sehr häufig als "Südsee" bezeichnet, ist das Bild dieses "Meers der Inseln" oft von Stereotypen und Klischees überlagert. Diese Darstellungen der Region, ob in Bild, Text, Kunst oder im Museum, laden zur Reflexion ein: Wer repräsentiert Ozeanien wo, in welchem Kontext und auf welche Weise? Vor dem Hintergrund dieser Frage befassen sich ausgewählte Beiträge mit Klischees und Stereotypen, Museen und Sammlungen sowie diversen Kunstformen. Die Autor:innen beleuchten diese Themen aus unterschiedlichen Blickwinkeln und bieten die Möglichkeit einer erweiterten Sicht auf die Wirkun...
Creativity in Transition
In an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition. Exploring creative practices in various settings, the book does not only call attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with ‘innovation’ in neo-liberal capitalist cultural politics, but also to the less visible practices of copying, recycling and reproduction that occur as part and parcel of creative improvization.
The Contested Crown
Following conflicting desires for an Aztec crown, this book explores the possibilities of repatriation. In The Contested Crown, Khadija von Zinnenburg Carroll meditates on the case of a spectacular feather headdress believed to have belonged to Montezuma, emperor of the Aztecs. This crown has long been the center of political and cultural power struggles, and it is one of the most contested museum claims between Europe and the Americas. Taken to Europe during the conquest of Mexico, it was placed at Ambras Castle, the Habsburg residence of the author’s ancestors, and is now in Vienna’s Welt Museum. Mexico has long requested to have it back, but the Welt Museum uses science to insist it i...
Photographing, Exploring and Exhibiting Russian Turkestan
This book illuminates the crucial role photography played from the very beginning of the Russian colonial presence in Central Asia and its entanglement with the orientalist legacy that followed. Inessa Kouteinikova examines these under-studied materials while also addressing the photographic market and reception of photography in the Russian Empire, the position of the popular press, the place of public exhibitions and emergence of the first ethnographic museums that took pace from Moscow to Tashkent during the time of the Russian conquest. This book embraces the dominant mode for representing the new colonial territories in the mid-late-19th-century Russia, by outlining the technical, commercial and artistic milieus during the Golden Age of Russian orientalism. The book will be of interest to scholars working in art history, history of photography and Russian studies.
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Congo stars
"Congo Stars" does not attempt to trace the historic development or even deliver a definition of what popular painting in the Congo is. It is in fact much more about the dimension of fiction in the writing of its history. Processes of nation building, facets of social order or the realities of everyday life are the major themes of popular art in the Congo. Painters see themselves as reporters or chroniclers of the everyday. They tell stories and thus offer an alternative historiography, confronting the traditional colonial narrative. "Congo Stars" places these popular painters alongside artists who work with installations and conceptually with photo and film, while often tackle the same themes. Text: Sammy Baloji, Bambi Ceuppens, Christian Hanussek, Gerda Heck, Günther Holler-Schuster, Fiston Mwanza Mujila, Barbara Steiner
