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A collection of quotations by and about William Morris, exploring his passionately held view that beautiful, functional design should be accessible to all William Morris (1834-1896) was a radical thinker whose democratic vision for society and art has continued to influence designers, artists and writers to this day. He was a gifted poet, architect, painter, writer and textile designer, who also founded the Kelmscott Press, the most famous of the Arts and Crafts private presses. Morris' ideas later came to influence numerous artists and craftspeople who sought to negotiate a viable place within the modern world in the troubled years that followed the First World War. His ideals inspired designers, including those who contributed to the 1951 Festival of Britain, with a direct sense of mission to bring the highest design standards within the reach of everyone. This collection of quotations by Morris, his friends, associates and those who came after, including Oscar Wilde and George Bernard Shaw, among others, reveals and explores his passionately held view that beautiful, functional design should be accessible to all.
An accessible and exciting approach to William Morris, a true art and design hero. The beautifully designed book will look at William Morris as an artist and culture shaper and include his most famous works.
This book offers a new interpretation of William Morris’s utopianism as a strategic extension of his political writing. Morris’s utopian writing, alongside his journalism and public lectures, constituted part of a sustained counter-hegemonic project that intervened both into the life-world of the fin de siècle socialist movement, as well as the dominant literary cultures of his day. Owen Holland demonstrates this by placing Morris in conversation with writers of first-wave feminism, nineteenth-century pastoralists, as well as the romance revivalists and imperialists of the 1880s. In doing so, he revises E.P. Thompson’s and Miguel Abensour’s argument that Morris’s utopian writing should be conceived as anti-political and heuristic, concerned with the pedagogic education of desire, rather than with the more mundane work of propaganda. He shows how Morris’s utopianism emerged against the grain of the now-here, embroiled in instrumental, propagandistic polemic, complicating Thompson’s and Abensour’s view of its anti-political character.
This 24-volume set, published 1910-15, reveals the development and scope of a Victorian polymath's literary, aesthetic and political passions.
Paul Thompson's study of Morris's many-sided genius has been widely commended as the best short account available. Now in its third edition, containing a new and expanded selection of illustrations in both black and white and colour, it has been extensively revised to take into account the ways in which Morris's concerns anticipate those of present-day feminists, environmentalists, and educationalists.
Forty of the Victorian master's most famous designs for wallpapers, chintzes, velveteens, tapestries, tiles, carpets, and more. Reproduced from original color plates of The Art of William Morris.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.