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Authors on Writing
Drawing on some 3,000 published interviews with contemporary authors, Authors on Writing: Metaphors and Intellectual Labor reveals new ways of conceiving of writing as intellectual labor. Authors' metaphorical stories about composing highlight not interior worlds but socially situated cultures of composing and apparatuses of authorship. Through an original method of interpreting metaphorical stories, Tomlinson argues that writing is both an individual activity and a collective practice, a solitary activity that depends upon rich, sustained, and complex social networks, institutions, and beliefs. This new book draws upon interviews with writers including: Seamus Heaney, Roald Dahl, Samuel Beckett, Bret Easton Ellis, John Fowles, Allen Ginsburg, Alice Walker and Gore Vidal.
Conversations with John A. Williams
One of the most prolific African American authors of his time, John A. Williams (1925-2015) made his mark as a journalist, educator, and writer. Having worked for Newsweek, Ebony, and Jet magazines, Williams went on to write twelve novels and numerous works of nonfiction. A vital link between the Black Arts movement and the previous era, Williams crafted works of fiction that relied on historical research as much as his own finely honed skills. From The Man Who Cried I Am, a roman à clef about expatriate African American writers in Europe, to Clifford's Blues, a Holocaust novel told in the form of the diary entries of a gay, black, jazz pianist in Dachau, these representations of black expe...
National Union Catalog
Includes entries for maps and atlases.
Amerikastudien
None
新收洋書総合目錄
None
Kafka's K. Versus the Castle
Kafka's last novel is preoccupied with an elusive authority named «the Castle». By insisting on entering the Castle, the protagonist K. inadvertently deconstructs its very presence: K. discovers that the Castle only exists as a rhetorical paradigm in the language of the village. This experience is the basis for K.'s existential maturation. Instead of striving to find meaning in a transcendent authority, K. gradually becomes responsible for his own subjective identity.
Beyond the Canebrakes
15 essays and two interviews that examine the work of West Indian writers living in Canada. The authors of these essays and interviews dissect issues of history, gender, power, identity and levels of discourse in moving scholars, researchers and students into arenas of study and critique of the West Indian Woman writer residing in Canada.
