Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Studies on Contemporary Chinese Philosophy (1949–2009)
Guo Qiyong’s edited volume on contemporary Chinese philosophy offers a detailed look at research on Chinese philosophy published from 1949-2009 in Mainland China and Taiwan. The chapters in this volume are broken down into either major themes or time periods in the history of Chinese philosophy. In each chapter after summarizing significant aspects of a particular theme or time period, lists are drawn up of the most important works, along with comments on their individual contributions. This volume allows readers to both familiarize themselves with specific texts and become immersed in the more general philosophical discourse surrounding the history of Chinese philosophy. It provides an in-depth look into serious debates and major discoveries in Chinese language philosophical scholarship from 1949-2009.
Carnival in China
As if under the satirical magnifying glass, the Xingshi Yinyuan Zhuan, an anonymous traditional Chinese novel, portrays local society and provincial life in seventeenth-century China in comic and grotesque close-up. A dystopian satire, the novel provides fascinating insights into the popular culture and wild imagination of men and women in late imperial China. Using an array of sources—fiction, poetry, texts on medical ethics, religious thought, political and philosophical treatises, morality books and local gazetteers—Carnival in China develops a style of reading that explores how seventeenth-century Chinese citizens perceived their world. Through their eyes, we gain access to their desires, dreams, fears and nightmares.
Desire and Fictional Narrative in Late Imperial China
"In this new study of desire in Late Imperial China, Martin Huang argues that the development of traditional Chinese fiction as a narrative genre was closely related to changes in conceptions of the fundamental nature of desire. He further suggests that the rise of vernacular fiction during the late Ming dynasty should be studied in the context of contemporary debates on desire, along with the new and complex views that emerged from those debates. Desire and Fictional Narrative in Late Imperial China shows that the obsession of authors with individual desire is an essential quality that defines traditional Chinese fiction as a narrative genre. Thus the maturation of the genre can best be appreciated in terms of its increasingly sophisticated exploration of the phenomenon of desire."
Gender, Politics, and Democracy
This is the first exploration of women's campaigns to gain equal rights to political participation in China. The dynamic and successful struggle for suffrage rights waged by Chinese women activists through the first half of the twentieth century challenged fundamental and centuries-old principles of political power. By demanding a public political voice for women, the activists promoted new conceptions of democratic representation for the entire political structure, not simply for women. Their movement created the space in which gendered codes of virtue would be radically transformed for both men and women.
Proceedings of the 2025 11th International Conference on Humanities and Social Science Research (ICHSSR 2025)
This is an open access book. Review: ICHSSR was established in 2015, and the past five sessions have all been successfully published and indexed by CPCI & CNKI. The purpose of ICHSSR 2015-2024 is to provide a platform for innovative academics and industry experts in the field of Humanities and Social Science Research to collaborate. We achieved our primary objective which is to promote research and development activities in humanities research and social science, while also facilitating scientific information exchange among researchers, developers, engineers, students, and practitioners worldwide. Aims: The 11th International Conference on Humanities and Social Science Research (ICHSSR 2025)...
Untamed Shrews
Untamed Shrews traces the evolution of unruly women in Chinese literature, from the reviled "shrew" to the celebrated "new woman." Notorious for her violence, jealousy, and promiscuity, the character of the shrew personified the threat of unruly femininity to the Confucian social order and served as a justification for punishing any woman exhibiting these qualities. In this book, Shu Yang connects these shrewish qualities to symbols of female empowerment in modern China. Rather than meeting her demise, the shrew persisted, and her negative qualities became the basis for many forms of the new woman, ranging from the early Republican suffragettes and Chinese Noras, to the Communist and socialist radicals. Criticism of the shrew endured, but her vicious, sexualized, and transgressive nature became a source of pride, placing her among the ranks of liberated female models. Untamed Shrews shows that whether male writers and the state hate, fear, or love them, there will always be a place for the vitality of unruly women. Unlike in imperial times, the shrew in modern China stayed untamed as an inspiration for the new woman.
原子核物理
None
