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This innovative, extensively illustrated study examines how classical antiquities and archaeology contributed significantly to the production of the modern Greek nation and its national imagination. It also shows how, in return, national imagination has created and shaped classical antiquities and archaeological practice from the nineteenth century to the present. Yannis Hamilakis covers a diverse range of topics, including the role of antiquities in the foundation of the Greek state in the nineteenth century, the Elgin marbles controversy, the role of archaeology under dictatorial regimes, the use of antiquities in the detention camps of the Greek civil war, and the discovery of the so-called tomb of Philip of Macedonia.
What are the political usesÑand misusesÑof archaeology in the Middle East? In answering this question, the contributors to this volume lend their regional expertise to a variety of case studies, including the TalibanÕs destruction of Buddhas in Afghanistan, the commercialization of archaeology in Israel, the training of Egyptian archaeology inspectors, and the debate over Turkish identity sparked by the film Troy, among other provocative subjects. Other chapters question the ethical justifications of archaeology in places that have Òalternative engagements with the material past.Ó In the process, they form various views of the role of the archaeologist, from steward of the historical re...
This book is an exciting new look at how archaeology has dealt with the bodily senses and offers an argument for how the discipline can offer a richer glimpse into the human sensory experience. Yannis Hamilakis shows how, despite its intensely physical engagement with the material traces of the past, archaeology has mostly neglected multi-sensory experience, instead prioritising isolated vision and relying on the Western hierarchy of the five senses. In place of this limited view of experience, Hamilakis proposes a sensorial archaeology that can unearth the lost, suppressed, and forgotten sensory and affective modalities of humans. Using Bronze Age Crete as a case study, Hamilakis shows how sensorial memory can help us rethink questions ranging from the production of ancestral heritage to large-scale social change, and the cultural significance of monuments. Hamilakis points the way to reconstituting archaeology as a sensorial and affective multi-temporal practice.
In an era of climate emergency and political upheaval, heritage demands radical rethinking. This volume confronts the Enlightenment-rooted dualisms that fragment heritage into opposing categories. By embracing posthumanist concepts like naturecultures and agency, this volume explores entangled human and nonhuman pasts, from the contested Białowieża Forest to ancient sensory environments. Through case studies spanning archaeology, museum studies, and literary analysis, contributors unravel heritage as a dynamic, more-than-human meshwork. This collection is an urgent call to transcend reductive binaries, fostering an ethical, responsive, and sustainable heritage practice attuned to our shared, precarious futures.
As researchers bring their analytic skills to bear on contemporary archaeological tourism, they find that it is as much about the present as the past. Philip Duke’s study of tourists gazing at the remains of Bronze Age Crete highlights this nexus between past and present, between exotic and mundane. Using personal diaries, ethnographic interviews, site guidebooks, and tourist brochures, Duke helps us understand the impact that archaeological sites, museums and the constructed past have on tourists’ view of their own culture, how it legitimizes class inequality at home as well as on the island of Crete, both Minoan and modern.
“Greek debt” means one thing to the country’s creditors. But for millions who prize culture over capital, it means the symbolic debt we owe Greece for democracy, philosophy, mathematics, and fine art. Johanna Hanink shows that our idealized image of ancient Greece dangerously shapes our view of the country’s economic hardship and refugee crisis.
Archæographies: Excavating Neolithic Dispilio – X treats the initial Archæographies (2013) as an archaeological artifact, encircling the experimental project of depicting the excavation of the lakeside neolithic settlement of Dispilio.
While the archaeological legacies of Greece and Cyprus are often considered to represent some of the highest values of Western civilization—democracy, progress, aesthetic harmony, and rationalism—this much adored and heavily touristed heritage can quickly become the stage for clashes over identity and memory. In Contested Antiquity, Esther Solomon curates explorations of how those who safeguard cultural heritage are confronted with the best ways to represent this heritage responsibly. How should visitors be introduced to an ancient Byzantine fortification that still holds the grim reminders of the cruel prison it was used as until the 1980s? How can foreign archaeological institutes engage with another nation's heritage in a meaningful way? What role do locals have in determining what is sacred, and can this sense of the sacred extend beyond buildings to the surrounding land? Together, the essays featured in Contested Antiquity offer fresh insights into the ways ancient heritage is negotiated for modern times.
In this volume, K.S. Brown and Yannis Hamilakis bring together scholars of history, archaeology, and anthropology to explore the located and contextual nature of historical narratives. The contributors analyze contested historic rituals, building styles, and traditions-looking through the unique lens of twentieth-century Greek identity-paying particular attention to the ways these social phenomena and cultural artifacts manifest tension between 'official' and 'unofficial' narratives of the past. Though focused on the changing historical basis of Greek culture and identity, this work further serves as an important theoretical contemplation of how our view of the past is shaped by our relationship with the present.
Grounded in decades of research, this book covers contemporary matters such as the entanglement of race and nationalism with archaeology.