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Covering the two major dramatic forms in China, this volume includes a translation of two traditional operas and five spoken plays. These works are among the most controversial plays produced in the post-Mao era, and collectively represent a new trend which could transform Chinese drama.
Exploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific.
Chinese spoken drama flourished in the 1980s when it generated a series of national controversies. In important respects, this was the golden age of drama in the People's Republic, as the stage became a most effective arena for exploring long suppressed cultural and political issues, constituting an indispensable dimension of the reform that has been altering the landscape of contemporary Chinese culture and society. The plays in this volume are among the most influential and controversial, having engendered intense cultural debate and political confrontations. They include the only complete English language translation of Bus Stop by Nobel Prize-winning author Gao Xingjian. The film script ...
Chinese Opera looks at Chinese society through an exciting series of photographs of operatic performances from many regions of the country. The book introduces the reader to this unique theatrical form and tells the traditional stories that are its narrative foundation. Siu Wang-Ngai's extraordinary images, taken in natural light during performances, lovingly reveal the visual excitement of Chinese opera and point to the differences in costuming and presentation that distinguish each regional style and character type. Through Peter Lovrick's engaging text, Chinese Opera provides a brief anecdotal history of the development of Chinese opera and introduces a language of theatrical convention e...
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Treating China's Cultural Revolution as much more than a political event, this innovative volume explores its ideological dimensions. The contributors focus especially on the CR's discourse of heroism and messianism and its demonization of the enemy as reflected in political practice, official literature, and propaganda art, arguing that these characteristics can be traced back to hitherto-neglected undercurrents of Chinese tradition. Moreover, while most studies of the Cultural Revolution are content to point to the discredited cult of heroism and messianism, this book also explores the alternative discourses that have flourished to fill the resulting vacuum. The contributors analyze the intense intellectual and artistic ferment in post-Mao China that embody resistance to CR ideology, as well as the urgent quest for authentic individuality, new forms of social cohesion, and historical truth. Contributions by: Anne-Marie Brady, Woei Lien Chong, Lowell Dittmer, Monika Gaenssbauer, Nick Knight, Stefan R. Landsberger, Nora Sausmikat, Barend J. ter Haar, Natascha Vittinghoff, and Lan Yang.
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